What does θορυβέω (thorybéō) mean in the Bible?
Thorybeo describes making a commotion or throwing people into an uproar. The selected New Testament passages place this activity in different situations.
Thorybeo describes making a commotion or throwing people into an uproar. The selected New Testament passages place this activity in different situations.
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Reader summary
Full entry for θορυβέω (G2350) · Open the biblical lexicon
Thorybeo describes making a commotion or throwing people into an uproar. The selected New Testament passages place this activity in different situations.
The BSB source-word alignment has 5 aligned rows for this entry. Common renderings include [and] sent the city into an uproar (1), all this commotion (1), be alarmed (1), noisy (1), upset (1).
The source-word alignment first shows this entry at Matthew 9:23. Its strongest book concentrations include Acts (2), Luke (1), Mark (1), Matthew (1).
Thorybeo describes making a commotion or throwing people into an uproar. The selected New Testament passages place this activity in different situations. Matthew and Mark describe the noisy gathering around a child who has died; Jesus enters the scene and acts for the child. At Troas, Paul tells alarmed people not to be disturbed after Eutychus falls, and the account ends with the boy alive and the people comforted.
In Thessalonica, opponents deliberately recruit troublemakers and incite the city. The verb does not make ordinary mourning and organized hostility the same moral act. Readers should follow what each scene actually reports: grief, alarm or an effort to mobilize a crowd. Neither Jesus' question nor Paul's reassurance gives permission to ridicule grieving people or promise every family the same immediate outcome.
Four selected passages describe noisy mourning, alarm around Eutychus and a deliberately incited city. Matthew and Mark narrate the same child's restoration, while Acts places reassurance and hostile mobilization in separate episodes.
When Jesus entered the house of the synagogue leader, He saw the flute players and the noisy crowd.
The noisy crowd belongs to the setting of the child's death; Jesus' subsequent action, rather than the noise alone, governs the story.
He went inside and asked, “Why all this commotion and weeping? The child is not dead, but asleep.”
Jesus questions the commotion before taking the child's hand and restoring her; His unique action cannot become contempt for ordinary mourners.
But Paul went down, threw himself on the young man, and embraced him. “Do not be alarmed!” he said. “He is still alive!”
Paul reassures people after Eutychus falls; the narrative proceeds to the boy being taken home alive and the people greatly relieved.
The Jews, however, became jealous. So they brought in some troublemakers from the marketplace, formed a mob, and sent the city into an uproar. They raided Jason’s house in search of Paul and Silas, hoping to bring them out to the people.
The uproar is deliberately incited by recruiting troublemakers and raiding Jason's house, unlike the grief and alarm of the other episodes.
BSB source-word alignment connects this entry to exact verse rows, English rendering, source form, transliteration, and parsing.
How English Renders ItA compact distribution from source-word alignment before the full evidence tables.
Greek word. to make commotion
(θόρυβος), [in LXX: Nam.2:3 (רָעַל ho.), Dan LXX 8:17 (בָּעַת ni.), Jdg.3:26, Wis.18:19, Sir.40:6 * ;]
Textus Receptus witness, full corpusGreek token appearances from Scrivener 1894 Textus Receptus in the full New Testament corpus.
4 Greek text appearances shown. Linked morphology labels have verse guides.
I disturb greatly, terrify, strike with panic
Read verseI disturb greatly, terrify, strike with panic
Read verseI disturb greatly, terrify, strike with panic
Read verseI disturb greatly, terrify, strike with panic
Read verseFull New Testament corpus: 260 chapters, 7,957 verses, 140,628 tokens. Data source: honza/textus-receptus (data only), with authority check against byztxt/greektext-textus-receptus.
How mood, tense, and voice shift the force of this verb in context.
This verb appears through different tense, voice, mood, or stem patterns. Those forms help readers see how the action is presented in context.
Verse guides are not available for this word yet, so verse references remain plain evidence markers.
How this verb appears across 3 occurrences in the NT discourse index (MACULA Greek SBLGNT).
Aspect reflects grammatical form — not authorial emphasis. Participles and infinitives are verbal adjectives and nouns respectively.
Clause data: MACULA Greek (Clear Bible, CC BY 4.0) · SBLGNT (Logos/SBL, CC BY 4.0)
θορυβέω is built from this root:
Compound and idiomatic phrases that include this word. Follow a link to study the phrase and how its parts work together.
Acts 20 begins the commotion scene with a concrete crisis: Eutychus falls from an upper window during the gathering and is picked up dead. Paul goes down, embraces him and tells the people not to be alarmed. The story later reports that they take the boy home alive and are greatly relieved. Reassurance in this account is bound to what the narrative says happened; it is not a general command that grieving people must look calm.
Matthew and Mark likewise place Jesus' words beside His action for the child. Acts 17 supplies the moral contrast, showing people deliberately stirring a city against others. The study therefore distinguishes care that meets distress from incitement that exploits it, while leaving space for truthful lament and refusing to manufacture promises for every bereaved family.
Acts.20.10
Thorybeo can describe making a commotion or putting others into an uproar. The different constructions identify noisy mourners, alarmed hearers and people inciting a city; they do not assign the same motive to all those participants.
Psalm 13 speaks openly of sorrow, unanswered questions and the fear of death before confessing trust in God's loving devotion. It supports room for lament when teaching the Gospel mourning scenes. The Hebrew psalm is not another occurrence of this Greek verb, and its movement toward praise is not a timetable to impose on a grieving person.