וַיּוֹצִאֵ֤נִי (way·yō·w·ṣi·’ê·nî) in Ezekiel 37:1: Conjunctive waw | Verb - Hifil - Consecutive imperfect - third person masculine singular | first person common singular
וַיּוֹצִאֵ֤נִי (way·yō·w·ṣi·’ê·nî) in Ezekiel 37:1
Source Word
Ezekiel 37:1 token 5 is וַיּוֹצִאֵ֤נִי, H3318, parsed Conj-w | V-Hifil-ConsecImperf-3ms | 1cs and aligned with and He brought me out.
How The Form Affects Interpretation
The form positions Ezekiel as a recipient and witness before he becomes a speaker, locating prophetic action within a scene initiated by the Lord.
How To Communicate It
Use the subject-object relation to slow the reading: God brings, Ezekiel sees, the chapter names the community's despair, and only then does the restoration word unfold.
What Not To Say
- Grammatical form should serve context, not override it.
- The Lord is the actor, and the first-person suffix identifies Ezekiel as the person brought into the vision.
- The Hifil form does not determine whether the transport was bodily, visionary, or another mode beyond what the text states.
- Treat the bone-filled valley with dignity, keep Israel's exilic despair central, and avoid sensational or dehumanizing presentation.
What Does The Label Mean?
Hebrew-verb
Verb
Conjunctive waw | Verb - Hifil - Consecutive imperfect - third person masculine singular | first person common singular
Hifil
Consecutive imperfect
Third
Masculine
Singular
Conj-w
First person common singular
The consecutive Hifil begins the vision's movement by presenting the Lord as bringing Ezekiel out by the Spirit. The first-person suffix marks the prophet as the one transported, and the next verb places him in the bone-filled valley.
The form moves Ezekiel into the visionary setting from which he sees the valley and receives the command to prophesy.
What The Form Does In This Verse
The transport verb follows the hand of the Lord upon Ezekiel and is coordinated with the action that sets him in the valley.
The Spirit-mediated opening of the dry-bones vision and its later interpretation as Israel's hopeless condition.
It reports the Lord bringing Ezekiel into the visionary scene as its observing and commissioned prophet.
It does not make Ezekiel the agent, define the exact transport mechanism, reduce the bones to spectacle, or permit interpreters to ignore the chapter's exilic and communal explanation.
How Much The Form Matters Here
High: The verb establishes divine agency and prophetic receptivity at the entrance to the widely taught dry-bones vision.
Consecutive Hifil with first-person object suffix. brings Ezekiel out and into the valley setting. Attached to the hand of the Lord upon Ezekiel. Governed by the Spirit-mediated vision sequence. The next coordinated verb completes his placement in the valley.
Who brings Ezekiel out, and who is represented by me? The Lord is the acting subject, and the first-person suffix represents Ezekiel, the prophet brought into the scene.
Direct: He makes the supplied divine subject explicit, brought out expresses Hifil causation, and me represents the suffix.
The grammar identifies participants but not the vision's transport mechanism. The Spirit phrase belongs to the scene's divine framing, not to a technical map of human experience. The chapter later interprets the bones as the whole house of Israel and should govern application.
Hifil proves bodily transport: The stem marks caused movement; leave the precise visionary mechanism open. the bones are merely dramatic scenery: Follow the chapter's explanation of communal hopelessness and treat the remains with dignity. the vision directly predicts my preferred timetable: Begin with the passage's stated exilic and restoration referent before considering wider canonical connections.
How The Interpretation Is Derived
Ezekiel 37:1 token 5 is וַיּוֹצִאֵ֤נִי, H3318, parsed Conj-w | V-Hifil-ConsecImperf-3ms | 1cs and aligned with and He brought me out.
יָצָא describes going out; in the Hifil it can describe causing someone to go out or bringing that person out.
The hand and Spirit of the Lord frame the action, the masculine singular verb presents the divine actor, the suffix marks Ezekiel, and the next clause names the valley destination.
Ezekiel is shown a valley of very dry bones that the chapter later identifies with Israel's despair and promised restoration.
The vision testifies to God's power to restore a people who say their hope is gone, while its image of human remains should be handled with dignity and attention to communal trauma.
Let the grammar establish who places the prophet in the scene, then follow the chapter's own interpretation before drawing wider resurrection connections.
Do not claim a particular physical transport mechanism, sensationalize death, bypass Israel's exilic grief, or use the image to make unsupported predictions.