Hebrew · H6459

פֶּסֶל

פֶּסֶל (pesel) is a carved image fashioned for cultic use or treated as an idol. Exodus 20:4 and Deuteronomy 5:8 prohibit making such an image within commands against having other gods and bowing down to or serving the object.

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פֶּסֶלH6459
Pronunciationpesel

What does פֶּסֶל (pesel) mean in the Bible?

Reader summary

Full entry for פֶּסֶל (H6459) · Open the biblical lexicon

Questions this entry answers

What does פֶּסֶל (pesel) mean in the Bible?

פֶּסֶל (pesel) is a carved image fashioned for cultic use or treated as an idol. Exodus 20:4 and Deuteronomy 5:8 prohibit making such an image within commands against having other gods and bowing down to or serving the object.

How does the BSB render H6459?

The BSB source-word alignment has 31 aligned rows for this entry. Common renderings include an idol (8), the graven image (3), a graven image (2), by his idols (2), idols (2).

Where does פֶּסֶל (pesel) appear in Scripture?

The source-word alignment first shows this entry at Exodus 20:4. Its strongest book concentrations include Isaiah (9), Judges (8), Deuteronomy (5), Jeremiah (2).

What This Word Actually Means

פֶּסֶל (pesel) is a carved image fashioned for cultic use or treated as an idol. Exodus 20:4 and Deuteronomy 5:8 prohibit making such an image within commands against having other gods and bowing down to or serving the object. Leviticus 26:1 and Deuteronomy 27:15 likewise join the fashioned image with worship and covenant betrayal. The noun is not a general term for every picture, sculpture, or act of skilled craftsmanship.

Judges 17-18 shows a carved image embedded in compromised household and tribal worship. Micah commissions it, the Danites seize it, and it remains in their sanctuary. Second Kings 21:7 and Second Chronicles 33:7 place Manasseh's image in the temple, violating the worship ordered there. These narratives show how religious vocabulary, clergy, sacred space, and confidence can coexist with idolatry; familiar spiritual forms do not make an object or practice faithful.

Isaiah 40 and 44 expose the dependence of an idol on human materials and makers. Isaiah 45:20 contrasts carrying a wooden image with knowing the God who saves, and Habakkuk 2:18 asks what profit comes from trusting a speechless creation. The critique targets worship, trust, and false representation. Contemporary applications to money, power, nation, technology, or self-image are analogies about misplaced trust, not lexical meanings of pesel.

Canonical synthesis
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