Moses
The Tabernacle Structure: Curtains, Coverings, Frames, Veil, and Holy Arrangement
The Lord’s dwelling among Israel is beautiful, protected, ordered, and holy, with every curtain, frame, veil, and furnishing arranged according to His revealed pattern.
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The Lord’s dwelling among Israel is beautiful, protected, ordered, and holy, with every curtain, frame, veil, and furnishing arranged according to His revealed pattern.
Exodus 26 argues that divine presence among the covenant people requires ordered holy space. The Lord graciously dwells among Israel, but His nearness is not common, casual, or self-designed. The curtains create beauty and heavenly symbolism. The coverings protect the sanctuary. The frames establish a stable dwelling. The veil guards the Most Holy Place and separates it from the Holy Place.
The furniture is arranged according to the Lord’s command. The chapter shows that worship must be structured by revelation because the holy God determines how He dwells among His people.
Israel, the covenant people redeemed from Egypt and now receiving the Lord’s revealed pattern for His dwelling place among them.
Mount Sinai, while Moses remains in the glory-cloud receiving the sanctuary pattern after the covenant ratification of Exodus 24.
The Lord’s dwelling among Israel is beautiful, protected, ordered, and holy, with every curtain, frame, veil, and furnishing arranged according to His revealed pattern.
Moses
Israel, the covenant people redeemed from Egypt and now receiving the Lord’s revealed pattern for His dwelling place among them.
Mount Sinai, while Moses remains in the glory-cloud receiving the sanctuary pattern after the covenant ratification of Exodus 24.
- Israel has been brought into covenant with the holy Lord and now needs a divinely ordered dwelling place where His presence may be among them without being treated casually or approached presumptuously.
Portable tent sanctuaries, woven curtains, frames, sockets, coverings, and screened sacred spaces were known in ancient contexts, but Israel’s tabernacle is not designed by cultural imagination. It is commanded according to the Lord’s pattern, with graded holiness, sacred boundaries, and carefully arranged access.
Exodus 26 follows the instructions for the ark, atonement cover, table, and lampstand in Exodus 25. It gives the architectural and spatial framework for the tabernacle where the Lord will dwell among His redeemed people.
The Lord gives Moses instructions for the inner curtains of the tabernacle, the goat-hair tent coverings, the protective outer coverings, the upright frames and bases, the crossbars, the veil separating the Most Holy Place from the Holy Place, the placement of the ark, table, and lampstand, and the entrance curtain for the tent.
Theological exposition and fulfillment
Exodus 26 clarifies the gospel by showing that God’s desire to dwell among His people does not erase the problem of holiness and access. The tabernacle brings God near, yet the veil declares that sinners cannot stroll into the Most Holy Place. Access must be mediated and protected. In Christ, the barrier is not ignored but answered by atonement. His death opens the way into God’s presence, and the torn veil announces that through His blood, believers may draw near with confidence while still worshiping with reverence and awe.
The innermost curtains create a beautiful, cherubim-marked holy interior.
Goat-hair curtains and outer coverings protect the sanctuary structure.
Frames, bases, rings, and bars form a stable yet movable dwelling place.
The veil separates the Holy Place from the Most Holy Place, guarding the ark and atonement cover.
The table, lampstand, and entrance curtain are arranged according to the Lord’s revealed pattern.
- 1-6: The inner sanctuary curtains are made from fine linen and colored yarn with cherubim woven into them.
- 7-13: Goat-hair curtains are made as a covering over the tabernacle.
- Ram skins dyed red and another durable covering protect the tent.
- 15-25: Acacia wood frames with silver bases form the structure of the tabernacle.
- 26-30: Gold-covered bars hold the frames together, and Moses is reminded to follow the plan shown on the mountain.
- 31-34: The veil separates the Holy Place from the Most Holy Place where the ark and atonement cover are placed.
- The table and lampstand are arranged outside the veil on opposite sides.
- 36-37: An embroidered curtain marks the entrance to the tent.
Theological Argument
Exodus 26 argues that divine presence among the covenant people requires ordered holy space. The Lord graciously dwells among Israel, but His nearness is not common, casual, or self-designed. The curtains create beauty and heavenly symbolism. The coverings protect the sanctuary. The frames establish a stable dwelling. The veil guards the Most Holy Place and separates it from the Holy Place.
The furniture is arranged according to the Lord’s command. The chapter shows that worship must be structured by revelation because the holy God determines how He dwells among His people.
From inner curtains, to outer coverings, to structural frames, to the veil, to furniture arrangement, to the entrance curtain.
- 1.The LORD’s dwelling is marked by sacred beauty and cherubim imagery.
- 2.The holy dwelling is protected by ordered layers of coverings.
- 3.The tabernacle is portable yet stable, built with divinely specified structure.
- 4.The veil establishes a holy boundary between the Holy Place and the Most Holy Place.
- 5.The ark and atonement cover belong in the Most Holy Place behind the veil.
- 6.The table, lampstand, and entrance curtain order access and service in the Holy Place.
Theological Focus
- Tabernacle
- Divine dwelling
- Holy space
- Revealed pattern
- Cherubim
- Curtains and coverings
- Acacia frames
- Silver bases
- Gold overlay
- The veil
- Most Holy Place
- Holy Place
- Ark of the covenant
- Atonement cover
- Table and lampstand arrangement
- Entrance curtain
- Guarded access
- Holy beauty
- Guarded presence
- Revelation-governed worship
- Portable dwelling
- Stability under holiness
- Cherubim and sacred boundaries
- The veil as separation
- Graded holiness
- The ark hidden in the Most Holy Place
- Ordered service before the Lord
- Divine Presence
- Holiness
- Revelation
- Mediation
- Sacred Space
- Separation
- Worship
- Christological Fulfillment
Theological Themes
The inner curtains are made with fine linen, rich colors, and cherubim, showing that the Lord’s dwelling is marked by glory and holiness.
The layers of curtains and the veil show that God’s presence is graciously near yet carefully guarded.
The tabernacle must be made according to the plan shown to Moses on the mountain.
The tabernacle is built to travel with Israel through the wilderness, showing the Lord’s presence with His pilgrim people.
Frames, bases, and bars show that the Lord’s dwelling is carefully structured and firmly supported.
Cherubim on the curtains and veil mark the sanctuary as heavenly, guarded space.
The veil separates the Holy Place from the Most Holy Place, preserving the holiness of the ark and atonement cover.
The arrangement of the tabernacle teaches ordered degrees of nearness to the Lord.
The covenant testimony and atonement cover are placed behind the veil in the innermost sanctuary.
The table and lampstand are placed outside the veil, forming the worship space of priestly service.
Covenant Significance
Exodus 26 builds on the covenant ratification and sanctuary purpose already given. The Lord’s covenant presence requires a dwelling place that reflects His holiness and provides ordered access. The veil marks the boundary around the ark of the covenant law and atonement cover. The tabernacle structure teaches Israel that covenant fellowship with God is real, but it comes only through the spaces, boundaries, and arrangements He commands.
- Covenant dwelling - The tabernacle is the Lord’s dwelling among His covenant people.
- Covenant pattern - The structure must follow the plan revealed to Moses on the mountain.
- Covenant boundary - The veil separates the Holy Place from the Most Holy Place.
- Covenant testimony guarded - The ark of the covenant law is placed behind the veil.
- Covenant service - The table and lampstand are arranged for priestly service outside the veil.
- Covenant holiness - Every part of the tabernacle teaches that the Lord’s presence is holy and must be approached according to His command.
- Exodus 25:8-9 - The sanctuary is commanded so the Lord may dwell among Israel according to the pattern shown to Moses.
- Exodus 25:10-40 - The ark, table, and lampstand described earlier are placed within the structure described in Exodus 26.
- Exodus 36:8-38 - The tabernacle curtains, frames, veil, and entrance curtain are later made according to these instructions.
- Leviticus 16:2 - The Most Holy Place behind the veil is approached only under strict atonement regulations.
- Numbers 4:5-15 - The holy furnishings are covered and carried according to careful rules during Israel’s travel.
Canonical Connections
The veil becomes a central biblical symbol of restricted access to the Most Holy Place until Christ opens the way.
The tabernacle is made according to the mountain pattern and later interpreted as an earthly copy related to heavenly realities.
Cherubim imagery connects the tabernacle with guarded access to sacred space.
The inner sanctuary becomes the focal point of atonement and the Lord’s enthroned presence.
The tabernacle structure participates in the larger biblical theme of God dwelling among His people.
The table and lampstand placement prepares the later priestly service described in Torah and reflected in Hebrews.
Cross References
So Solomon built the house, and finished it. He built the walls of the house within with boards of cedar: from the floor of the house to the walls of the ceiling, he covered them on the inside with wood; and he covered the floor of the...
He carved all the walls of the house around with carved figures of cherubim, palm trees, and open flowers, inside and outside. He overlaid the floor of the house with gold, inside and outside. For the entrance of the inner sanctuary, he...
For the entrance of the inner sanctuary, he made doors of olive wood. The lintel and door posts were a fifth part of the wall. So he made two doors of olive wood; and he carved on them carvings of cherubim, palm trees, and open flowers,...
He made the veil of blue, purple, crimson, and fine linen, and ornamented it with cherubim.
Jacob awakened out of his sleep, and he said, “Surely Yahweh is in this place, and I didn’t know it.” He was afraid, and said, “How awesome this place is! This is none other than God’s house, and this is the gate of heaven.” Jacob rose up...
So he drove out the man; and he placed cherubim at the east of the garden of Eden, and a flaming sword which turned every way, to guard the way to the tree of life.
He shall take a censer full of coals of fire from off the altar before Yahweh, and two handfuls of sweet incense beaten small, and bring it within the veil. He shall put the incense on the fire before Yahweh, that the cloud of the incense...
and Yahweh said to Moses, “Tell Aaron your brother not to come at just any time into the Most Holy Place within the veil, before the mercy seat which is on the ark; lest he die; for I will appear in the cloud on the mercy seat.
“This is the service of the families of the Gershonites, in serving and in bearing burdens: they shall carry the curtains of the tabernacle and the Tent of Meeting, its covering, the covering of sealskin that is on it, the screen for the...
This is the duty of their burden, according to all their service in the Tent of Meeting: the tabernacle’s boards, its bars, its pillars, its sockets, the pillars of the court around it, their sockets, their pins, their cords, with all...
Exodus 26 clarifies the gospel by showing that God’s desire to dwell among His people does not erase the problem of holiness and access. The tabernacle brings God near, yet the veil declares that sinners cannot stroll into the Most Holy Place. Access must be mediated and protected. In Christ, the barrier is not ignored but answered by atonement. His death opens the way into God’s presence, and the torn veil announces that through His blood, believers may draw near with confidence while still worshiping with reverence and awe.
- God comes near - The tabernacle structure exists because the Lord will dwell among His people.
- God remains holy - The veil and sacred arrangement teach that divine nearness does not cancel holiness.
- Human access is restricted - The Most Holy Place is separated, showing that sinners need mediated access.
- Christ opens the way - The veil prepares for the gospel announcement that Christ’s death opens access to God.
- Atonement answers separation - The barrier is not overcome by human effort but through the blood of Christ.
- Reverent confidence belongs together - Believers draw near through Christ with confidence, not casualness.
- Do not treat the veil as a mere symbol without real holiness behind it.
- Do not preach access to God apart from atonement.
- Do not imply that Christ’s work makes God less holy.
- Do not reduce tabernacle details to arbitrary decoration.
- Do not allegorize every loop, clasp, and measurement beyond the text’s controlled theology.
- Do not miss the movement from guarded sanctuary access to Christ-opened access.
Primary Emphasis
Exodus 26 contributes to the biblical theology fulfilled in Christ by showing that God’s dwelling among His people requires holy space, guarded access, and a veil separating sinners from the innermost presence of God. The New Testament presents Christ as the one through whom access to God is opened. At His death, the temple curtain is torn, signifying that through His blood the way into God’s presence has been opened.
Christ is the true tabernacle presence, the mediator of access, and the one through whom the holy God dwells with His people.
Chapter Contribution
Exodus 26 argues that divine presence among the covenant people requires ordered holy space. The Lord graciously dwells among Israel, but His nearness is not common, casual, or self-designed. The curtains create beauty and heavenly symbolism. The coverings protect the sanctuary. The frames establish a stable dwelling. The veil guards the Most Holy Place and separates it from the Holy Place.
The furniture is arranged according to the Lord’s command. The chapter shows that worship must be structured by revelation because the holy God determines how He dwells among His people.
The veil protects the space of the ark and mercy seat, where atonement logic will later be focused on the Day of Atonement.
The Lord’s dwelling is marked by beauty, craftsmanship, symmetry, and careful joining, all under divine command.
The veil establishes a canonical trajectory later fulfilled when Christ opens access to God through His death.
Israel’s participation in building the tabernacle requires obedience to the Lord’s revealed pattern.
The curtains and coverings form the dwelling structure where the Lord will live among His covenant people.
The dwelling is built according to what God shows Moses, reminding Israel that access to God begins with divine revelation.
The layered structure and cherubim imagery mark the sanctuary as holy, guarded, and set apart.
The veil teaches that the Lord’s presence is holy and must not be approached casually or presumptuously.
The separated spaces anticipate priestly mediation and guarded access into the Most Holy Place.
The tabernacle’s ordered layers anticipate guarded access to God through appointed mediation rather than unrestricted approach.
The structure shows that worship before God is not chaotic or improvised but ordered and supported.
The details of materials, measurements, joining, and coverings are all commanded by God, reinforcing worship according to revelation.
The tabernacle is the dwelling place of the Lord among Israel.
The curtains, coverings, veil, and arrangement teach the holiness of the Lord’s presence.
The tabernacle must be constructed according to the plan shown to Moses on the mountain.
The structure guards access to the Most Holy Place, anticipating priestly mediation.
The tabernacle is arranged into ordered holy space, especially Holy Place and Most Holy Place.
The veil separates the Holy Place from the Most Holy Place.
The table, lampstand, ark, and entrance are arranged according to God’s worship order.
The veil and tabernacle structure prepare the categories of access fulfilled in Christ.
Theological exposition and fulfillment
- Exodus 26 clarifies the gospel by showing that God’s desire to dwell among His people does not erase the problem of holiness and access. The tabernacle brings God near, yet the veil declares that sinners cannot stroll into the Most Holy Place. Access must be mediated and protected. In Christ, the barrier is not ignored but answered by atonement. His death opens the way into God’s presence, and the torn veil announces that through His blood, believers may draw near with confidence while still worshiping with reverence and awe.
Sense dwelling place, tabernacle
Definition A dwelling place, especially the portable sanctuary where the LORD dwells among Israel.
References Exodus 26:1, 6, 7, 12, 13, 15, 17, 18, 20, 23, 26, 30, 35
Lexicon dwelling place, tabernacle
Why it matters The entire chapter gives the structure for the Lord’s dwelling among His people.
Sense curtain, tent curtain
Definition A large woven curtain or tent panel.
References Exodus 26:1-13
Lexicon curtain, tent curtain
Why it matters The curtains form the layered fabric structure of the tabernacle.
Sense finely twisted linen
Definition Fine woven linen thread twisted for sacred textile work.
References Exodus 26:1, 31, 36
Lexicon finely twisted linen
Why it matters The inner curtains and veil are made of fine linen, fitting the holiness and beauty of the sanctuary.
Sense blue yarn or fabric
Definition Blue-dyed yarn or fabric used in sacred textiles.
References Exodus 26:1, 4, 31, 36
Lexicon blue yarn or fabric
Why it matters Blue is part of the sacred color scheme for the curtains, veil, and entrance screen.
Sense purple yarn or fabric
Definition Purple-dyed yarn or fabric used in costly sacred textiles.
References Exodus 26:1, 31, 36
Lexicon purple yarn or fabric
Why it matters Purple contributes to the beauty and dignity of the tabernacle textiles.
Sense scarlet yarn
Definition Scarlet-dyed yarn used in sacred textiles.
References Exodus 26:1, 31, 36
Lexicon scarlet yarn
Why it matters Scarlet is part of the sanctuary’s commanded color pattern.
Sense cherubim
Definition Heavenly beings associated with God’s throne and guarded holy space.
References Exodus 26:1, 31
Lexicon cherubim
Why it matters Cherubim woven into the inner curtains and veil mark the tabernacle as guarded heavenly space.
Cross-language bridge 1 link · View in lexicon
Sense designer, skilled worker, artistic craftsman
Definition One who designs or works skillfully with artistic thought.
References Exodus 26:1, 31
Lexicon designer, skilled worker, artistic craftsman
Why it matters The sanctuary textiles require Spirit-enabled skill, not careless craftsmanship.
Sense loops
Definition Loops used to join curtain panels.
References Exodus 26:4-5, 10-11
Lexicon loops
Why it matters Loops help join the curtains into one unified tabernacle structure.
Sense clasps, hooks
Definition Clasps used to fasten curtains together.
References Exodus 26:6, 11
Lexicon clasps, hooks
Why it matters Gold and bronze clasps unite the curtain sections into one whole.
Sense goats, goat hair
Definition Goat hair used for tent curtains.
References Exodus 26:7
Lexicon goats, goat hair
Why it matters Goat-hair curtains form the tent covering over the inner tabernacle.
Sense tent
Definition A tent or temporary dwelling.
References Exodus 26:7, 9, 11-14, 36
Lexicon tent
Why it matters The goat-hair curtains form the tent over the tabernacle, emphasizing its portable dwelling character.
Sense covering
Definition A covering or protective layer.
References Exodus 26:14
Lexicon covering
Why it matters The coverings protect the holy dwelling and its inner beauty.
Sense ram skins dyed red
Definition Red-dyed ram skins used as an outer covering.
References Exodus 26:14
Lexicon ram skins dyed red
Why it matters This protective layer covers the tent as part of the Lord’s specified design.
Sense frames, boards
Definition Wooden frames or boards forming the tabernacle structure.
References Exodus 26:15-29
Lexicon frames, boards
Why it matters The frames give the tabernacle its stable structural form.
Sense acacia wood
Definition Durable desert wood used in tabernacle construction.
References Exodus 26:15, 26, 32, 37
Lexicon acacia wood
Why it matters The frames, bars, posts, and other structures are made from acacia wood.
Sense bases, sockets, pedestals
Definition Support bases or sockets into which frames or posts are set.
References Exodus 26:19, 21, 25, 32, 37
Lexicon bases, sockets, pedestals
Why it matters The silver and bronze bases support the tabernacle structure and entrance posts.
Sense silver
Definition Precious metal used for bases and other sanctuary elements.
References Exodus 26:19, 21, 25, 32
Lexicon silver
Why it matters Silver bases support the frames and veil posts within the tabernacle structure.
Sense bars, crossbars
Definition Wooden bars used to hold frames together.
References Exodus 26:26-29
Lexicon bars, crossbars
Why it matters The bars secure the frames, making the structure stable and unified.
Sense gold
Definition Precious metal used to overlay sacred furnishings and structural elements.
References Exodus 26:6, 29, 32, 37
Lexicon gold
Why it matters Gold overlay marks the holiness and glory of the tabernacle structure and interior.
Sense plan, ordinance, prescribed arrangement
Definition Judgment, ordinance, or prescribed order; here the commanded plan shown on the mountain.
References Exodus 26:30
Lexicon plan, ordinance, prescribed arrangement
Why it matters Moses must set up the tabernacle according to the prescribed plan revealed by God.
Sense veil, curtain
Definition The inner veil that separates the Holy Place from the Most Holy Place.
References Exodus 26:31-35
Lexicon veil, curtain
Why it matters The veil establishes the boundary guarding the ark and atonement cover in the Most Holy Place.
Sense holy place
Definition The holy chamber outside the Most Holy Place.
References Exodus 26:33
Lexicon holy place
Why it matters The veil separates the Holy Place from the Most Holy Place.
Sense Most Holy Place, Holy of Holies
Definition The innermost and most sacred chamber of the tabernacle.
References Exodus 26:33-34
Lexicon Most Holy Place, Holy of Holies
Why it matters The ark and atonement cover are placed in the Most Holy Place behind the veil.
Sense ark of the testimony
Definition The sacred chest containing the covenant testimony.
References Exodus 26:33-34
Lexicon ark of the testimony
Why it matters The ark is placed behind the veil in the Most Holy Place.
Sense atonement cover, mercy seat
Definition The gold cover over the ark, associated with atonement and divine meeting.
References Exodus 26:34
Lexicon atonement cover, mercy seat
Why it matters The atonement cover is placed on the ark inside the Most Holy Place.
Sense table
Definition The table for the bread of the Presence.
References Exodus 26:35
Lexicon table
Why it matters The table stands outside the veil on the north side of the Holy Place.
Sense lampstand
Definition The gold lampstand that gives light in the Holy Place.
References Exodus 26:35
Lexicon lampstand
Why it matters The lampstand stands opposite the table on the south side.
Sense screen, curtain, covering
Definition A screen or curtain used for an entrance.
References Exodus 26:36
Lexicon screen, curtain, covering
Why it matters The entrance curtain regulates access into the tent.
Sense embroiderer, variegated worker
Definition A skilled worker in embroidered or variegated textile work.
References Exodus 26:36
Lexicon embroiderer, variegated worker
Why it matters The entrance curtain is made with skilled craftsmanship fitting the sanctuary.
Sense bronze, copper
Definition Bronze or copper used in outer sanctuary elements.
References Exodus 26:11, 37
Lexicon bronze, copper
Why it matters Bronze clasps and bases are used in parts of the tent and entrance structure.
Lexicon data: MorphGNT Strong's Dictionary XML (CC0) · Open Scriptures Hebrew Bible (CC BY 4.0) · Open Scriptures Hebrew Lexicon (CC BY 4.0) · STEPBible Data (CC BY 4.0) · Full details
C.F. Keil & F. Delitzsch, Commentary on the Old Testament (1861–91) — public domain
The holy Lord dwells among His people through a sanctuary ordered by His revealed pattern, guarded by holy boundaries, and arranged for mediated access.
God’s people must receive His presence with reverence, honor His boundaries, submit worship to His word, and give thanks for the access opened in Christ.
Reverence, obedience, restraint, humility, gratitude, careful worship, and confidence in God-given access.
- Read Exodus 26 as theology in architecture, not as disposable detail.
- Ask where worship or ministry has drifted into preference rather than revealed pattern.
- Meditate on the veil as a sign of God’s holiness and human need.
- Give thanks that Christ opens access without reducing God’s holiness.
- Treat sacred practices with renewed seriousness and joy.
- Let the beauty of worship serve reverence rather than performance.
- Remember that God’s presence with His people is both comfort and holy weight.
- The chapter warns against casual access to holy things, human-designed worship, disregard for God’s boundaries, and treating the Lord’s presence as common rather than holy.
- Treating Exodus 26 as merely technical construction detail. - The construction details reveal the theological order of God’s holy dwelling among His people.
- Ignoring the repeated importance of the mountain pattern. - The tabernacle is not designed by Israel but by the Lord’s revealed plan.
- Assuming the veil is only decorative. - The veil separates the Holy Place from the Most Holy Place and guards access to the ark and atonement cover.
- Over-allegorizing every measurement and material. - The details matter, but interpretation should be controlled by the text’s major themes: holiness, dwelling, pattern, access, and ordered worship.
- Thinking God’s presence removes boundaries. - The Lord’s nearness is gracious, but the tabernacle shows that His holiness establishes boundaries.
- Separating the tabernacle structure from the furniture in Exodus 25. - Exodus 26 provides the holy space where the ark, table, and lampstand are arranged.
- Jumping to the torn veil without first understanding the veil’s role. - The veil first teaches real separation before Christ’s work reveals the glory of opened access.
- Do I approach God’s presence with reverence or casual familiarity?
- Where am I tempted to design worship by preference rather than Scripture?
- Do I see God-given boundaries as burdens or as merciful protection?
- How does the veil deepen my gratitude for Christ’s opened access?
- Are holy things in my life being treated as common?
- Does my ministry value both beauty and obedience?
- How does the Lord’s presence with His pilgrim people strengthen faithfulness in the wilderness?
- Teach that details can carry doctrine.
- Guard worship from self-invention.
- Recover reverence for sacred space and sacred acts.
- Explain the veil before preaching the torn veil.
- Let beauty serve holiness.
- Show that God’s nearness is both comfort and weight.
- Connect tabernacle order to discipleship order.
After the ark, table, and lampstand are described, the structure that houses them is given.
The inner curtains display holy beauty, while outer coverings protect the dwelling.
The chapter moves from curtains and coverings to frames, bases, and bars.
The veil introduces the crucial distinction between Holy Place and Most Holy Place.
The ark is behind the veil, while the table and lampstand stand outside it.
The entrance curtain marks that even entry into the tent is regulated.
What Moses sees on the mountain becomes the Lord’s portable dwelling among Israel.
The Biblical World
Chapter At A Glance
The Lord gives Moses instructions for the inner curtains of the tabernacle, the goat-hair tent coverings, the protective outer coverings, the upright frames and bases, the crossbars, the veil separating the Most Holy Place from the Holy Place, the placement of the ark, table, and lampstand, and the entrance curtain for the tent.
Exodus 26 builds on the covenant ratification and sanctuary purpose already given. The Lord’s covenant presence requires a dwelling place that reflects His holiness and provides ordered access. The veil marks the boundary around the ark of the covenant law and atonement cover. The tabernacle structure teaches Israel that covenant fellowship with God is real, but it comes only through the spaces, boundaries, and arrangements He commands.
Exodus 26 clarifies the gospel by showing that God’s desire to dwell among His people does not erase the problem of holiness and access. The tabernacle brings God near, yet the veil declares that sinners cannot stroll into the Most Holy Place. Access must be mediated and protected. In Christ, the barrier is not ignored but answered by atonement. His death opens the way into God’s presence, and the torn veil announces that through His blood, believers may draw near with confidence while still worshiping with reverence and awe.
Reverence, obedience, restraint, humility, gratitude, careful worship, and confidence in God-given access.
Focus Points
- Tabernacle
- Divine dwelling
- Holy space
- Revealed pattern
- Cherubim
- Curtains and coverings
- Acacia frames
- Silver bases
- Gold overlay
- The veil
- Most Holy Place
- Holy Place
- Ark of the covenant
- Atonement cover
- Table and lampstand arrangement
- Entrance curtain
- Guarded access
- Holy beauty
- Guarded presence
- Revelation-governed worship
- Portable dwelling
- Stability under holiness
- Cherubim and sacred boundaries
- The veil as separation
- Graded holiness
- The ark hidden in the Most Holy Place
- Ordered service before the Lord
- Divine Presence
- Holiness
- Revelation
- Mediation
- Sacred Space
- Separation
- Worship
- Christological Fulfillment
Cross References
Passages
Chapter opening: Exodus 26:1-14
Exo 26:1 (cf. Ex 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth (Exo 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first (Exo 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche , pieces of tapestry, i.
e. , of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the Egyptians were so celebrated, were made (vid. , Hengstenberg, Egypt, pp. 139ff.) The byssus yarn was of a clear white, and this was woven into mixed cloth by combination with dark blue, and dark and fiery red.
It was not to be in simple stripes or checks, however; but the variegated yarn was to be woven (embroidered) into the white byssus, so as to form artistic figures of cherubim (“cherubim, work of the artistic weaver, shalt thou make it”). חשׁב מעשׂה (lit. , work or labour of the thinker) is applied to artistic weaving, in which either figures or gold threads (Exo 28:6, Exo 28:8, Exo 28:15) are worked into the cloth, and which is to be distinguished from רקם מעשׂה variegated weaving (Exo 26:36).
Exo 26:2-3 The length of each piece was to be 28 cubits, and the breadth 4 cubits, one measure for all; and five of these pieces were to be “joined together one to another,” i.e., joined or sewed together into a piece of 28 cubits in length and 20 in breadth, and the same with the other five.
Exo 26:2-3 The length of each piece was to be 28 cubits, and the breadth 4 cubits, one measure for all; and five of these pieces were to be “joined together one to another,” i.e., joined or sewed together into a piece of 28 cubits in length and 20 in breadth, and the same with the other five.
Exo 26:4-5 They were also to make 50 hyacinth loops “ on the border of the one piece of tapestry, from the end in the join, ” i.e., on the extreme edge of the five pieces that were sewed together; and the same “ on the border of the last piece in the second joined tapestry .” Thus there were to be fifty loops in each of the two large pieces, and these loops were to be מקבּילת “ taking up the loops one the other; ” that is to say, they were to be so made that the loops in the two pieces should exactly meet.
Exo 26:4-5 They were also to make 50 hyacinth loops “ on the border of the one piece of tapestry, from the end in the join, ” i.e., on the extreme edge of the five pieces that were sewed together; and the same “ on the border of the last piece in the second joined tapestry .” Thus there were to be fifty loops in each of the two large pieces, and these loops were to be מקבּילת “ taking up the loops one the other; ” that is to say, they were to be so made that the loops in the two pieces should exactly meet.
Exo 26:6 Fifty golden clasps were also to be made, to fasten the pieces of drapery (the two halves of the tent-cloth) together, “ that it might be a dwelling-place. ” This necessarily leads to Bähr's conclusion, that the tent-cloth, which consisted of two halves fastened together with the loops and clasps, answering to the two compartments of the dwelling-place (Exo 26:33), enclosed the whole of the interior, not only covering the open framework above, but the side walls also, and therefore that it hung down inside the walls, and that it was not spread out upon the wooden framework so as to form the ceiling, but hung down on the walls on the outside of the wooden beams, so that the gilded beams were left uncovered in the inside.
For if this splendid tent-cloth had been intended for the ceiling only, and therefore only 30 cubits had been visible out of the 40 cubits of its breadth, and only 10 out of the 28 of its length-that is to say, if not much more than a third of the whole had been seen and used for the inner lining of the dwelling, - that is to say, if not much more than a third of the whole had been seen and used for the inner lining of the dwelling, - it would not have been called “the dwelling” so constantly as it is (cf. Exo 36:8; Exo 40:18), nor would the goats'-hair covering which was placed above it have been just as constantly called the “tent above the dwelling” (Exo 26:7; Exo 36:14; Exo 40:19).
This inner tent-cloth was so spread out, that whilst it was fastened to the upper ends of the beams in a way that is not explained in the text, it formed the ceiling of the whole, and the joining came just above the curtain which divided the dwelling into two compartments. One half therefore, viz. , the front half, formed the ceiling of the holy place with its entire breadth of 20 cubits and 10 cubits of its length, and the remaining 18 cubits of its length hung down over the two side walls, 9 cubits down each wall, - the planks that formed the walls being left uncovered, therefore, to the height of 1 cubit from the ground.
In a similar manner the other half covered the holy of holies, 10 cubits of both length and breadth forming the ceiling, and the 10 cubits that remained of the entire length covering the end wall; whilst the folds in the corners that arose from the 9 cubits that hung down on either side, were no doubt so adjusted that the walls appeared to be perfectly smooth. (For further remarks, see Exo 39:33.)
Exo 26:7-8 The outer tent-cloth, “for the tent over the dwelling,” was to consist of eleven lengths of goats’ hair, i.e., of cloth made of goats’ hair; each piece being thirty cubits long and four broad.
Exo 26:7-8 The outer tent-cloth, “for the tent over the dwelling,” was to consist of eleven lengths of goats’ hair, i.e., of cloth made of goats’ hair; each piece being thirty cubits long and four broad.
Exo 26:9 Five of these were to be connected (sewed together) by themselves (לבד), and the other six in the same manner; and the sixth piece was to be made double, i.e., folded together, towards the front of the tent, so as to form a kind of gable, as Josephus has also explained the passage (Ant. iii. 6, 4).
Exo 26:10-11 Fifty loops and clasps were to be made to join the two halves together, as in the case of the inner tapestry, only the clasps were to be of brass or copper.
Exo 26:10-11 Fifty loops and clasps were to be made to join the two halves together, as in the case of the inner tapestry, only the clasps were to be of brass or copper.
Exo 26:12-13 This tent-cloth was two cubits longer than the inner one, as each piece was 30 cubits long instead of 28; it was also two cubits broader, as it was composed of 11 pieces, the eleventh only reckoning as two cubits, as it was to be laid double. Consequently there was an excess (העדף that which is over) of two cubits each way; and according to Exo 26:12 and Exo 26:13 this was to be disposed of in the following manner: “ As for the spreading out of the excess in the tent-cloths, the half of the cloth in excess shall spread out over the back of the dwelling; and the cubit from here and from there in the excess in the length of the tent-cloths (i.
e. , the cubit over in the length in each of the cloths) shall be spread out on the sides of the dwelling from here and from there to cover it . ” Now since, according to this, one half of the two cubits of the sixth piece which was laid double was to hang down the back of the tabernacle, there only remained one cubit for the gable of the front. It follows, therefore, that the joining of the two halves with loops and clasps would come a cubit farther back, than the place where the curtain of the holy of holies divided the dwelling.
But in consequence of the cloth being a cubit longer in every direction, it nearly reached the ground on all three sides, the thickness of the wooden framework alone preventing it from reaching it altogether.
Exo 26:12-13 This tent-cloth was two cubits longer than the inner one, as each piece was 30 cubits long instead of 28; it was also two cubits broader, as it was composed of 11 pieces, the eleventh only reckoning as two cubits, as it was to be laid double. Consequently there was an excess (העדף that which is over) of two cubits each way; and according to Exo 26:12 and Exo 26:13 this was to be disposed of in the following manner: “ As for the spreading out of the excess in the tent-cloths, the half of the cloth in excess shall spread out over the back of the dwelling; and the cubit from here and from there in the excess in the length of the tent-cloths (i.
e. , the cubit over in the length in each of the cloths) shall be spread out on the sides of the dwelling from here and from there to cover it . ” Now since, according to this, one half of the two cubits of the sixth piece which was laid double was to hang down the back of the tabernacle, there only remained one cubit for the gable of the front. It follows, therefore, that the joining of the two halves with loops and clasps would come a cubit farther back, than the place where the curtain of the holy of holies divided the dwelling.
But in consequence of the cloth being a cubit longer in every direction, it nearly reached the ground on all three sides, the thickness of the wooden framework alone preventing it from reaching it altogether.
Exo 26:14 “ The other coverings were placed on the top of this tent: one made of rams’ skins dyed red, “as a covering for the tent,” and another upon the top of this, made of the skins of the sea-cow (תּחשׁים, see at Exo 25:5).
Exo 26:15-16 The wooden framework . - Exo 26:15, Exo 26:16. The boards for the dwelling were to be made “of acacia-wood standing,” i. e. , so that they could stand upright; each ten cubits long and one and a half broad. The thickness is not given; and if, on the one hand, we are not to imagine them too thin, as Josephus does, for example, who says they were only four fingers thick (Ant.
iii. 6, 3), we have still less reason for following Rashi , Lund , Bähr and others, who suppose them to have been a cubit in thickness, thus making simple boards into colossal blocks, such as could neither have been cut from acacia-trees, nor carried upon desert roads. To obtain boards of the required breadth, to or three planks were no doubt joined together according to the size of the trees.
Exo 26:15-16 The wooden framework . - Exo 26:15, Exo 26:16. The boards for the dwelling were to be made “of acacia-wood standing,” i. e. , so that they could stand upright; each ten cubits long and one and a half broad. The thickness is not given; and if, on the one hand, we are not to imagine them too thin, as Josephus does, for example, who says they were only four fingers thick (Ant.
iii. 6, 3), we have still less reason for following Rashi , Lund , Bähr and others, who suppose them to have been a cubit in thickness, thus making simple boards into colossal blocks, such as could neither have been cut from acacia-trees, nor carried upon desert roads. To obtain boards of the required breadth, to or three planks were no doubt joined together according to the size of the trees.
Exo 26:17 Every board was to have two ידות (lit., hands or holders) to hold them upright, pegs therefore; and they were to be “ bound to one another ” (משׁלּב, from שׁלב in Chald. to connect, hence שׁלבּים in 1Ki 7:28, the corner plates that hold together the four sides of a chest), not “pegged into one another,” but joined together by a fastening dovetailed into the pegs, by which the latter were fastened still more firmly to the boards, and therefore had greater holding power than if each one had been simply sunk into the edge of the board.
Exo 26:18-21 Twenty of these boards were to be prepared for the side of the dwelling that was turned towards the south, and forty sockets (אדנים foundations, Job 38:6) or bases for the pegs, i. e. , to put the pegs of the boards into, that the boards might stand upright; and the same number of boards and sockets for the north side. תּימנה, “southward,” is added to נגבּה לפאת in Exo 26:18, to give a clearer definition of negeb , which primarily means the dry, and then the country to the south; an evident proof that at that time negeb was not established as a geographical term for the south, and therefore that it was not written here by a Palestinian, as Knobel supposes, but by Moses in the desert.
The form of the “sockets” is not explained, and even in Exo 38:27, in the summing up of the gifts presented for the work, it is merely stated that a talent of silver (about 93 lb.) was applied to every socket.
Exo 26:18-21 Twenty of these boards were to be prepared for the side of the dwelling that was turned towards the south, and forty sockets (אדנים foundations, Job 38:6) or bases for the pegs, i. e. , to put the pegs of the boards into, that the boards might stand upright; and the same number of boards and sockets for the north side. תּימנה, “southward,” is added to נגבּה לפאת in Exo 26:18, to give a clearer definition of negeb , which primarily means the dry, and then the country to the south; an evident proof that at that time negeb was not established as a geographical term for the south, and therefore that it was not written here by a Palestinian, as Knobel supposes, but by Moses in the desert.
The form of the “sockets” is not explained, and even in Exo 38:27, in the summing up of the gifts presented for the work, it is merely stated that a talent of silver (about 93 lb.) was applied to every socket.
Exo 26:18-21 Twenty of these boards were to be prepared for the side of the dwelling that was turned towards the south, and forty sockets (אדנים foundations, Job 38:6) or bases for the pegs, i. e. , to put the pegs of the boards into, that the boards might stand upright; and the same number of boards and sockets for the north side. תּימנה, “southward,” is added to נגבּה לפאת in Exo 26:18, to give a clearer definition of negeb , which primarily means the dry, and then the country to the south; an evident proof that at that time negeb was not established as a geographical term for the south, and therefore that it was not written here by a Palestinian, as Knobel supposes, but by Moses in the desert.
The form of the “sockets” is not explained, and even in Exo 38:27, in the summing up of the gifts presented for the work, it is merely stated that a talent of silver (about 93 lb.) was applied to every socket.
Exo 26:18-21 Twenty of these boards were to be prepared for the side of the dwelling that was turned towards the south, and forty sockets (אדנים foundations, Job 38:6) or bases for the pegs, i. e. , to put the pegs of the boards into, that the boards might stand upright; and the same number of boards and sockets for the north side. תּימנה, “southward,” is added to נגבּה לפאת in Exo 26:18, to give a clearer definition of negeb , which primarily means the dry, and then the country to the south; an evident proof that at that time negeb was not established as a geographical term for the south, and therefore that it was not written here by a Palestinian, as Knobel supposes, but by Moses in the desert.
The form of the “sockets” is not explained, and even in Exo 38:27, in the summing up of the gifts presented for the work, it is merely stated that a talent of silver (about 93 lb.) was applied to every socket.
Exo 26:22-24 Six boards were to be made for the back of the dwelling westwards (ימּה), and two boards “for the corners or angels of the dwelling at the two outermost (hinder) sides. ” למקצּעת (for cornered), from מקצּע, equivalent to מקצוע an angle (Exo 26:24; Eze 46:21-22), from קצע to cut off, lit. , a section, something cut off, hence an angle, or corner-piece.
These corner boards (Exo 26:24) were to be “ doubled (תּאמם) from below, and whole (תּמּים, integri , forming a whole) at its head (or towards its head, cf. אל Exo 36:29) with regard to the one ring, so shall it be to both of them (so shall they both be made); to the two corners shall they be ” (i. e. , designed for the two hinder corners). The meaning of these words, which are very obscure in some points, can only be the following: the two corner beams at the tack were to consist of two pieces joined together at a right angle, so as to form as double boards one single whole from the bottom to the top.
The expressions “from below” and “up to its head” are divided between the two predicates “doubled” (תּאמים) and “whole” (תּמּים), but they belong to both of them. Each of the corner beams was to be double from the bottom to the top, and still to form one whole. There is more difficulty in the words האחת אל־הטּבּעת in Exo 26:24. It is impossible to attach any intelligible meaning to the rendering “to the first ring,” so that even Knobel , who proposed it, has left it unexplained.
There is hardly any other way of explaining it, than to take the word אל in the sense of “having regard to a thing,” and to understand the words as meaning, that the corner beams were to form one whole, from the face that each received only one ring, probably at the corner, and not two, viz. , one on each side. This one ring was placed half-way up the upright beam in the corner or angle, in such a manner that the central bolt, which stretched along the entire length of the walls (Exo 26:28), might fasten into it from both the side and back.
Exo 26:22-24 Six boards were to be made for the back of the dwelling westwards (ימּה), and two boards “for the corners or angels of the dwelling at the two outermost (hinder) sides. ” למקצּעת (for cornered), from מקצּע, equivalent to מקצוע an angle (Exo 26:24; Eze 46:21-22), from קצע to cut off, lit. , a section, something cut off, hence an angle, or corner-piece.
These corner boards (Exo 26:24) were to be “ doubled (תּאמם) from below, and whole (תּמּים, integri , forming a whole) at its head (or towards its head, cf. אל Exo 36:29) with regard to the one ring, so shall it be to both of them (so shall they both be made); to the two corners shall they be ” (i. e. , designed for the two hinder corners). The meaning of these words, which are very obscure in some points, can only be the following: the two corner beams at the tack were to consist of two pieces joined together at a right angle, so as to form as double boards one single whole from the bottom to the top.
The expressions “from below” and “up to its head” are divided between the two predicates “doubled” (תּאמים) and “whole” (תּמּים), but they belong to both of them. Each of the corner beams was to be double from the bottom to the top, and still to form one whole. There is more difficulty in the words האחת אל־הטּבּעת in Exo 26:24. It is impossible to attach any intelligible meaning to the rendering “to the first ring,” so that even Knobel , who proposed it, has left it unexplained.
There is hardly any other way of explaining it, than to take the word אל in the sense of “having regard to a thing,” and to understand the words as meaning, that the corner beams were to form one whole, from the face that each received only one ring, probably at the corner, and not two, viz. , one on each side. This one ring was placed half-way up the upright beam in the corner or angle, in such a manner that the central bolt, which stretched along the entire length of the walls (Exo 26:28), might fasten into it from both the side and back.
Exo 26:22-24 Six boards were to be made for the back of the dwelling westwards (ימּה), and two boards “for the corners or angels of the dwelling at the two outermost (hinder) sides. ” למקצּעת (for cornered), from מקצּע, equivalent to מקצוע an angle (Exo 26:24; Eze 46:21-22), from קצע to cut off, lit. , a section, something cut off, hence an angle, or corner-piece.
These corner boards (Exo 26:24) were to be “ doubled (תּאמם) from below, and whole (תּמּים, integri , forming a whole) at its head (or towards its head, cf. אל Exo 36:29) with regard to the one ring, so shall it be to both of them (so shall they both be made); to the two corners shall they be ” (i. e. , designed for the two hinder corners). The meaning of these words, which are very obscure in some points, can only be the following: the two corner beams at the tack were to consist of two pieces joined together at a right angle, so as to form as double boards one single whole from the bottom to the top.
The expressions “from below” and “up to its head” are divided between the two predicates “doubled” (תּאמים) and “whole” (תּמּים), but they belong to both of them. Each of the corner beams was to be double from the bottom to the top, and still to form one whole. There is more difficulty in the words האחת אל־הטּבּעת in Exo 26:24. It is impossible to attach any intelligible meaning to the rendering “to the first ring,” so that even Knobel , who proposed it, has left it unexplained.
There is hardly any other way of explaining it, than to take the word אל in the sense of “having regard to a thing,” and to understand the words as meaning, that the corner beams were to form one whole, from the face that each received only one ring, probably at the corner, and not two, viz. , one on each side. This one ring was placed half-way up the upright beam in the corner or angle, in such a manner that the central bolt, which stretched along the entire length of the walls (Exo 26:28), might fasten into it from both the side and back.
Exo 26:25-27 Sixteen sockets were to be made for these eight boards, two for each. - Exo 26:26-29. To fasten the boards, that they might not separate from one another, bars of acacia-wood were to be made and covered with gold, five for each of the three sides of the dwelling; and though it is not expressly stated, yet the reference to rings in Exo 26:29 as holders of the bars (לבּריחים בּתּים) is a sufficient indication that they were passed through golden rings fastened into the boards.
Exo 26:25-27 Sixteen sockets were to be made for these eight boards, two for each. - Exo 26:26-29. To fasten the boards, that they might not separate from one another, bars of acacia-wood were to be made and covered with gold, five for each of the three sides of the dwelling; and though it is not expressly stated, yet the reference to rings in Exo 26:29 as holders of the bars (לבּריחים בּתּים) is a sufficient indication that they were passed through golden rings fastened into the boards.
Exo 26:25-27 Sixteen sockets were to be made for these eight boards, two for each. - Exo 26:26-29. To fasten the boards, that they might not separate from one another, bars of acacia-wood were to be made and covered with gold, five for each of the three sides of the dwelling; and though it is not expressly stated, yet the reference to rings in Exo 26:29 as holders of the bars (לבּריחים בּתּים) is a sufficient indication that they were passed through golden rings fastened into the boards.
Exo 26:28-29 “ And the middle bar in the midst of the boards (i.e., at an equal distance from both top and bottom) shall be fastening (מבריח) from one end to the other .” As it thus expressly stated with reference to the middle bar, that it was to fasten, i.e., to reach along the walls from one end to the other, we necessarily conclude, with Rashi and others, that the other four bars on every side were not to reach the whole length of the walls, and may therefore suppose that they were only half as long as the middle one, so that there were only three rows of bars on each wall, the upper and lower being composed of two bars each.
Exo 26:28-29 “ And the middle bar in the midst of the boards (i.e., at an equal distance from both top and bottom) shall be fastening (מבריח) from one end to the other .” As it thus expressly stated with reference to the middle bar, that it was to fasten, i.e., to reach along the walls from one end to the other, we necessarily conclude, with Rashi and others, that the other four bars on every side were not to reach the whole length of the walls, and may therefore suppose that they were only half as long as the middle one, so that there were only three rows of bars on each wall, the upper and lower being composed of two bars each.
Exo 26:30 “ And set up the dwelling according to its right, as was shown thee upon the mountain ” (cf. Exo 25:9). Even the setting up and position of the dwelling were not left to human judgment, but were to be carried out כּמשׁפּטו, i. e. , according to the direction corresponding to its meaning and purpose. From the description which is given of the separate portions, it is evident that the dwelling was to be set up in the direction of the four quarters of the heavens, the back being towards the west, and the entrance to the east; whilst the whole of the dwelling formed an oblong of thirty cubits long, ten broad, and ten high.
The length we obtain from the twenty boards of a cubit and a half in breadth; and the breadth, by adding to the nine cubits covered by the six boards at the back, half a cubit as the inner thickness of each of the corner beams. The thickness of the corner beams is not given, but we may conjecture that on the outside which formed part of the back they were three-quarters of a cubit thick, and that half a cubit is to be taken as the thickness towards the side.
In this case, on the supposition that the side beams were a quarter of a cubit thick, the inner space would be exactly ten cubits broad and thirty and a quarter long; but the surplus quarter would be taken up by the thickness of the pillars upon which the inner curtain was hung, so that the room at the back would form a perfect cube, and the one at the front an oblong of exactly twenty cubits in length, ten in breadth, and ten in height.
Exo 26:31-32 To divide the dwelling into two rooms, a curtain was to be made, of the same material, and woven in the same artistic manner as the inner covering of the walls (Exo 26:1). This was called פּרכת, lit. , division, separation, from פּרך to divide, or מסך פּרכת (Exo 35:12; Exo 39:34; Exo 40:21) division of the covering, i. e. , to hang this “ upon four pillars of gilded acacia-wood and their golden hooks, (standing) upon four silver sockets, ” under the loops (קרסים) which held the two halves of the inner covering together (Exo 26:6).
Thus the curtain divided the dwelling into two compartments, the one occupying ten cubits and the other twenty of its entire length.
Exo 26:31-32 To divide the dwelling into two rooms, a curtain was to be made, of the same material, and woven in the same artistic manner as the inner covering of the walls (Exo 26:1). This was called פּרכת, lit. , division, separation, from פּרך to divide, or מסך פּרכת (Exo 35:12; Exo 39:34; Exo 40:21) division of the covering, i. e. , to hang this “ upon four pillars of gilded acacia-wood and their golden hooks, (standing) upon four silver sockets, ” under the loops (קרסים) which held the two halves of the inner covering together (Exo 26:6).
Thus the curtain divided the dwelling into two compartments, the one occupying ten cubits and the other twenty of its entire length.
Exo 26:33-34 “Thither (where the curtain hands under the loops) within the curtain shalt thou bring the ark of testimony (Exo 25:16-22), and the curtain shall divide unto you between the holy place and the most holy” (הקּדשׁים קדשׁ the holy of holies). The inner compartment was made into the most holy place through the ark of the covenant with the throne of grace upon it.
Exo 26:33-34 “Thither (where the curtain hands under the loops) within the curtain shalt thou bring the ark of testimony (Exo 25:16-22), and the curtain shall divide unto you between the holy place and the most holy” (הקּדשׁים קדשׁ the holy of holies). The inner compartment was made into the most holy place through the ark of the covenant with the throne of grace upon it.
Exo 26:35 The two other things (already described) were to be placed outside the curtain, viz., in the holy place; the candlestick opposite to the table, the former on the south side of the dwelling, the latter towards the north.
Exo 26:36-37 For the entrance to the tent they were also to make a curtain (מסך, lit. , a covering, from סכך to cover) of the same material as the inner curtain, but of work in mixed colours, i. e. , not woven with figures upon it, but simply in stripes or checks. רקם מעשׂה does not mean coloured needlework, with figures or flowers embroidered with the needle upon the woven fabric (as I asserted in my Archäologie , in common with the Rabbins, Gesenius , Bähr, and others); for in the only other passage in which רקם occurs, viz.
, Psa 139:15, it does not mean to embroider, but to weave, and in the Arabic it signifies to make points, stripes, or lines, to work in mixed colours (see Hartmann die Hebräerinn am Putztisch iii. 138ff.) This curtain was to hang on five gilded pillars of acacia-wood with golden hooks, and for these they were to cast sockets of brass. In the account of the execution of this work in Exo 36:38, it is still further stated, that the architect covered the heads (capitals) of the pillars and their girders (חשׁקים, see Exo 27:10) with gold.
From this it follows, that the pillars were not entirely gilded, but only the capitals, and that they were fastened together with gilded girders. These girders were either placed upon the hooks that were fastened to the tops of the pillars, or, what I think more probable, formed a kind of architrave above the pillars, in which case the covering as well as the inner curtain merely hung upon the hooks of the columns.
But if the pillars were not gilded all over, we must necessarily imagine that curtain as hung upon that side of the pillars which was turned towards the holy place, so that none of the white wood was to be seen inside the holy place; and the gilding of the capitals and architrave merely served to impress upon the forefront of the tabernacle the glory of a house of God. If we endeavour to understand the reason for building the dwelling in this manner, there can be no doubt that the design of the wooden walls was simply to give stability to the tabernacle.
Acacia-wood was chosen, because the acacia was the only tree to be found in the desert of Arabia from which planks and beams could be cut, whilst the lightness an durability of this wood rendered it peculiarly suitable for a portable temple. The wooden framework was covered both within and without with hangings of drapery and other coverings, to give it the character of a tent, which is the term really applied to it in Exo 27:21, and in most instances afterwards.
The sanctuary of Jehovah in the midst of His people was to be a tent, because, so long as the people were wandering about and dwelt in tents, the dwelling of their God in the midst of them must be a tent also. The division of the dwelling into two parts corresponded to the design of the tabernacle, where Jehovah desired not to dwell alone by Himself, but to come and meet with His people (Exo 25:22).
The most holy place was the true dwelling of Jehovah, where He was enthroned in a cloud, the visible symbol of His presence, above the cherubim, upon the capporeth of the ark of the covenant. The holy place, on the other hand, was the place where His people were to appear before Him, and draw near to Him with their gifts, the fruits of their earthly vocation, and their prayers, and to rejoice before His face in the blessings of His covenant grace.
By the establishment of the covenant of Jehovah with the people of Israel, the separation of man from God, of which the fall of the progenitors of our race had been the cause, was to be brought to an end; an institution was to be set up, pointing to the reunion of man and God, to true and full vital communion with Him; and by this the kingdom of God was to be founded on earth in a local and temporal form. This kingdom of God, which was founded in Israel, was to be embodied in the tabernacle, and shadowed forth in its earthly and visible form as confined within the limits of time and space.
This meaning was indicated not only in the instructions to set up the dwelling according to the four quarters of the globe and heavens, with the entrance towards sunrise and the holy of holies towards the west, but also in the quadrangular form of the building, the dwelling as a whole assuming the form of an oblong of thirty cubits in length, and ten in breadth and height, whilst the most holy place was a cube of ten cubits in every direction. In the symbolism of antiquity, the square was a symbol of the universe or cosmos; and thus, too, in the symbolism of the Scriptures it is a type of the world as the scene of divine revelation, the sphere of the kingdom of God, for which the world from the very first had been intended by God, and to which, notwithstanding the fall of man, who was created lord of the earth, it was to be once more renewed and glorified.
Hence the seal of the kingdom of God was impressed upon the sanctuary of God in Israel through the quadrangular form that was given to its separate rooms. And whilst the direction in which it was set up, towards the four quarters of the heavens, showed that the kingdom of God that was planted in Israel was intended to embrace the entire world, the oblong shape given to the whole building set forth the idea of the present incompleteness of the kingdom, and the cubic form of the most holy place its ideal and ultimate perfection.
Yet even in its temporal form, it was perfect of its kind, and therefore the component parts of the quadrangular building were regulated by the number ten, the stamp of completeness. The splendour of the building, as the earthly reflection of the glory of the kingdom of God, was also in harmony with this explanation of its meaning. In the dwelling itself everything was either overlaid with gold or made of pure gold, with the exception of the foundations or sockets of the boards and inner pillars, for which silver was used.
In the gold, with its glorious, yea, godlike splendour (Job 37:22), the glory of the dwelling-place of God was reflected; whilst the silver, as the symbol of moral purity, shadowed forth the holiness of the foundation of the house or kingdom of God. The four colours, and the figures upon the drapery and curtains of the temple, were equally significant. Whilst the four colours, like the same number of coverings, showed their general purpose as connected with the building of the kingdom of God, the brilliant white of the byssus stands prominently out among the rest of the colours as the ground of the woven fabrics, and the colour which is invariably mentioned first.
The splendid white byssus represented the holiness of the building; the hyacinth, a dark blue approaching black rather than bright blue, but the true colour of the sky in southern countries, its heavenly origin and character; the purple, a dark rich red, its royal glory; whilst the crimson, a light brilliant red, the colour of blood and vigorous life, set forth the strength of imperishable life in the abode and kingdom of the holy and glorious God-King. Lastly, through the figures of cherubim woven into these fabrics the dwelling became a symbolical representation of the kingdom of glory, in which the heavenly spirits surround the throne of God, the heavenly Jerusalem with its myriads of angels, the city of the living God, to which the people of God will come when their heavenly calling is fulfilled (Heb 12:22-23).