Psalms 87
Psalms 87
Psalms 87
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Psalms 87
| v.2 | H157אָהַבQal · Participle |
| v.3 | H3513כָּבַדNiphal · ParticipleH1696דָבַרPual · Participle passive |
| v.4 | H2142זָכַרHiphil · Imperfect · Indicative/cohortativeH3205יָלַדPual · Perfect · Indicative |
| v.5 | H559אָמַרNiphal · Imperfect · Indicative/jussiveH3205יָלַדPual · Perfect · Indicative |
| v.6 | H5608סָפַרQal · Imperfect · Indicative/jussiveH3205יָלַדPual · Perfect · Indicative |
Aspect in Hebrew is grammatical form, not tense. Perfect = completed action; Imperfect = incomplete/ongoing. Stem modifies action type (Qal=simple, Niphal=passive, Piel=intensive).
Morphology: OSHB WLC (Open Scriptures, CC BY 4.0) · STEPBible TEHMC (Tyndale House, CC BY 4.0)
Zion's gates represent the chosen center of covenant assembly and worship.
Jesus becomes the foundation and meeting place of God's reconciled people.
Jesus creates one reconciled people and grants outsiders citizenship in God's household.
The Lord freely distinguishes Zion within Jacob for His covenant purpose.
The Most High secures the city and its covenant vocation.
The city's theological permanence rests upon God's establishing action.
The Lord's preferential love gives Zion its unique place within Israel.
The Lord grants and records true belonging among His people.
Zion's chosen status becomes the means of welcoming nations rather than a ground for superiority.
People from foreign nations are granted Zion birth and worship identity.
Foreign peoples remain under the sovereign authority and saving purpose of the Lord.
Zion is the city of God because it belongs to His purpose and presence.
The international city vision culminates in the nations gathered within God's final city.
The holy-mountain setting reflects God's consecrating presence.
In Christ, believers are built together as God's Spirit-filled household.
Named peoples receive shared Zion citizenship without their historical identities being denied.
The city-born peoples culminate in singing, dancing, and shared praise.
C.F. Keil & F. Delitzsch, Commentary on the Old Testament (1861–91) — public domain
The Biblical World
Passages
Chapter opening: Psalms 87:1-3
Psa 87:5-7 Inasmuch now as the nations come thus into the church (or congregation) of the children of God and of the children of Abraham, Zion becomes by degrees a church immeasurably great. To Zion, however, or of Zion (ל of reference to), shall it be said אישׁ ואישׁ ילּד־בּהּ. Zion, the one city, stands in contrast to all the countries, the one city of God in contrast to the kingdoms of the world, and אישׁ ואישׁ in contrast to זה.
This contrast, upon the correct apprehension of which depends the understanding of the whole Psalm, is missed when it is said, “whilst in relation to other countries it is always only the whole nation that comes under consideration, Zion is not reckoned up as a nation, but by persons” (Hofmann). With this rendering the ילּד retires into the background; in that case this giving of prominence to the value of the individual exceeds the ancient range of conception, and it is also an inadmissible appraisement that in Zion each individual is as important as a nation as a whole.
Elsewhere אישׁ אישׁ, Lev 17:10, Lev 17:13, or אישׁ ואישׁ, Est 1:8, signifies each and every one; accordingly here אישׁ ואישׁ (individual and, or after, individual) affirms a progressus in infinitum , where one is ever added to another. Of an immeasurable multitude, and of each individual in this multitude in particular, it is said that he was born in Zion. Now, too, והוּא כוננה עליון has a significant connection with what precedes.
Whilst from among foreign peoples more and more are continually acquiring the right of natives in Zion, and thus are entering into a new national alliance, so that a breach of their original national friendships is taking place, He Himself (cf. 1Sa 20:9), the Most High, will uphold Zion (Psa 48:9), so that under His protection and blessing it shall become ever greater and more glorious.
Psa 87:6 tells us what will be the result of such a progressive incorporation in the church of Zion of those who have hitherto been far removed, viz. , Jahve will reckon when He writeth down (כּתוב as in Jos 18:8) the nations; or better - since this would more readily be expressed by בּכתבו, and the book of the living (Isa 4:3) is one already existing from time immemorial - He will reckon in the list (כתוב after the form חלום, חלו, פּקוד = כּתב, Eze 13:9) of the nations, i.
e. , when He goes over the nations that are written down there and chosen for the coming salvation, “this one was born there;” He will therefore acknowledge them one after another as those born in Zion. The end of all history is that Zion shall become the metropolis of all nations. When the fulness of the Gentiles is thus come in, then shall all and each one as well singing as dancing say (supply יאמרוּ): All my fountains are in thee.
Among the old translators the rendering of Aquila is the best: καὶ ᾄδοντες ὡς χοροί· πᾶσαι πηγαὶ ἐν σοί, which Jerome follows, et cantores quasi in choris: omnes fontes mei in te. One would rather render cholaliym, “flute-players” (lxx ὡς ἐν αὐλοῖς); but to pipe or play the flute is חלּל (a denominative from חליל), 1Ki 1:40, whereas to dance is חלל ( Pilel of חוּל); it is therefore = מחוללים, like לצצים, Hos 7:5.
But it must not moreover be rendered, “And singers as well as dancers (will say);” for “singers” is משׁררים, not שׁרים, which signifies cantantes , not cantores . Singing as dancing, i. e. , making known their festive joy as well by the one as by the other, shall the men of all nations incorporated in Zion say: All my fountains, i. e. , fountains of salvation (after Isa 12:3), are in thee (O city of God).
It has also been interpreted: my looks (i. e. , the object on which my eye is fixed, or the delight of my eyes), or: my thoughts (after the modern Hebrew עיּן of spiritual meditation); but both are incongruous. The conjecture, too, of Böttcher, and even before him of Schnurrer ( Dissertationes , p. 150), כל־מעיני, all who take up their abode (instead of which Hupfeld conjectures מעיני, all my near-dwellers, i.
e. , those who dwell with me under the same roof), is not Hebrew, and deprives us of the thought which corresponds to the aim of the whole, that Jerusalem shall be universally regarded as the place where the water of life springs for the whole of mankind, and shall be universally praised as this place of fountains.
Psa 87:5-7 Inasmuch now as the nations come thus into the church (or congregation) of the children of God and of the children of Abraham, Zion becomes by degrees a church immeasurably great. To Zion, however, or of Zion (ל of reference to), shall it be said אישׁ ואישׁ ילּד־בּהּ. Zion, the one city, stands in contrast to all the countries, the one city of God in contrast to the kingdoms of the world, and אישׁ ואישׁ in contrast to זה.
This contrast, upon the correct apprehension of which depends the understanding of the whole Psalm, is missed when it is said, “whilst in relation to other countries it is always only the whole nation that comes under consideration, Zion is not reckoned up as a nation, but by persons” (Hofmann). With this rendering the ילּד retires into the background; in that case this giving of prominence to the value of the individual exceeds the ancient range of conception, and it is also an inadmissible appraisement that in Zion each individual is as important as a nation as a whole.
Elsewhere אישׁ אישׁ, Lev 17:10, Lev 17:13, or אישׁ ואישׁ, Est 1:8, signifies each and every one; accordingly here אישׁ ואישׁ (individual and, or after, individual) affirms a progressus in infinitum , where one is ever added to another. Of an immeasurable multitude, and of each individual in this multitude in particular, it is said that he was born in Zion. Now, too, והוּא כוננה עליון has a significant connection with what precedes.
Whilst from among foreign peoples more and more are continually acquiring the right of natives in Zion, and thus are entering into a new national alliance, so that a breach of their original national friendships is taking place, He Himself (cf. 1Sa 20:9), the Most High, will uphold Zion (Psa 48:9), so that under His protection and blessing it shall become ever greater and more glorious.
Psa 87:6 tells us what will be the result of such a progressive incorporation in the church of Zion of those who have hitherto been far removed, viz. , Jahve will reckon when He writeth down (כּתוב as in Jos 18:8) the nations; or better - since this would more readily be expressed by בּכתבו, and the book of the living (Isa 4:3) is one already existing from time immemorial - He will reckon in the list (כתוב after the form חלום, חלו, פּקוד = כּתב, Eze 13:9) of the nations, i.
e. , when He goes over the nations that are written down there and chosen for the coming salvation, “this one was born there;” He will therefore acknowledge them one after another as those born in Zion. The end of all history is that Zion shall become the metropolis of all nations. When the fulness of the Gentiles is thus come in, then shall all and each one as well singing as dancing say (supply יאמרוּ): All my fountains are in thee.
Among the old translators the rendering of Aquila is the best: καὶ ᾄδοντες ὡς χοροί· πᾶσαι πηγαὶ ἐν σοί, which Jerome follows, et cantores quasi in choris: omnes fontes mei in te. One would rather render cholaliym, “flute-players” (lxx ὡς ἐν αὐλοῖς); but to pipe or play the flute is חלּל (a denominative from חליל), 1Ki 1:40, whereas to dance is חלל ( Pilel of חוּל); it is therefore = מחוללים, like לצצים, Hos 7:5.
But it must not moreover be rendered, “And singers as well as dancers (will say);” for “singers” is משׁררים, not שׁרים, which signifies cantantes , not cantores . Singing as dancing, i. e. , making known their festive joy as well by the one as by the other, shall the men of all nations incorporated in Zion say: All my fountains, i. e. , fountains of salvation (after Isa 12:3), are in thee (O city of God).
It has also been interpreted: my looks (i. e. , the object on which my eye is fixed, or the delight of my eyes), or: my thoughts (after the modern Hebrew עיּן of spiritual meditation); but both are incongruous. The conjecture, too, of Böttcher, and even before him of Schnurrer ( Dissertationes , p. 150), כל־מעיני, all who take up their abode (instead of which Hupfeld conjectures מעיני, all my near-dwellers, i.
e. , those who dwell with me under the same roof), is not Hebrew, and deprives us of the thought which corresponds to the aim of the whole, that Jerusalem shall be universally regarded as the place where the water of life springs for the whole of mankind, and shall be universally praised as this place of fountains.
Psalms 88 is as gloomy as Psa 87:1-7 is cheerful; they stand near one another as contrasts. Not Ps 77, as the old expositors answer to the question quaenam ode omnium tristissima , but this Psalms 88 is the darkest, gloomiest, of all the plaintive Psalms; for it is true the name “God of my salvation,” with which the praying one calls upon God, and his praying itself, show that the spark of faith within him is not utterly extinguished; but as to the rest, it is all one pouring forth of deep lament in the midst of the severest conflict of temptation in the presence of death, the gloom of melancholy does not brighten up to become a hope, the Psalm dies away in Job-like lamentation.
Herein we discern echoes of the Korahitic Psa 42:1-11 and of Davidic Psalms: compare Psa 88:3 with Psa 18:7; Psa 88:5 with Psa 28:1; Psa 88:6 with Psa 31:23; Psa 88:18 with Psa 22:17. ; v. 19 (although differently applied) with Psa 31:12; and more particularly the questions in Psa 88:11-13 with Psa 6:6, of which they are as it were only the amplification. But these Psalm-echoes are outweighed by the still more striking points of contact with the Book of Job, both as regards linguistic usage (דּאב, Psa 88:10, Job 14:14; רפאים, Psa 88:11, Job 26:5; אבדּון, Psa 88:12, Job 26:6; Job 28:22; נער, Psa 88:16 , Job 33:25; Job 36:14; אמים, Psa 88:16 , Job 20:25; בּעוּתים, Psa 88:17, Job 6:4) and single thoughts (cf.
Psa 88:5 with Job 14:10; Psa 88:9 with Job 30:10; v. 19 with Job 17:9; Job 19:14), and also the suffering condition of the poet and the whole manner in which this finds expression. For the poet finds himself in the midst of the same temptation as Job not merely so far as his mind and spirit are concerned; but his outward affliction is, according to the tenor of his complaints, the same, viz.
, the leprosy (Psa 88:9), which, the disposition to which being born with him, has been his inheritance from his youth up (Psa 88:16). Now, since the Book of Job is a Chokma-work of the Salomonic age, and the two Ezrahites belonged to the wise men of the first rank at the court of Solomon (1Ki 4:31), it is natural to suppose that the Book of Job has sprung out of this very Chokma-company, and that perhaps this very Heman the Ezrahite who is the author of Psalms 88 has made a passage of his own life, suffering, and conflict of soul, a subject of dramatic treatment.
The inscription of the Psalm runs: A Psalm-song by the Korahites; to the Precentor, to be recited (lit. , to be pressed down , not after Isa 27:2 : to be sung , which expresses nothing, nor: to be sung alternatingly , which is contrary to the character of the Psalm) after a sad manner (cf. Psa 53:1) with muffled voice, a meditation by Heman the Ezrahite . This is a double inscription, the two halves of which are contradictory.
The bare להימן side by side with לבני־קרח would be perfectly in order, since the precentor Heman is a Korahite according to 1Ch 6:33-38; but חימן האזרחי is the name of one of the four great Israelitish sages in 1Ki 4:31, who, according to 1Ch 2:6, is a direct descendant of Zerah, and therefore is not of the tribe of Levi, but of Judah. The suppositions that Heman the Korahite had been adopted into the family of Zerah, or that Heman the Ezrahite had been admitted among the Levites, are miserable attempts to get over the difficulty.
At the head of the Psalm there stand two different statements respecting its origin side by side, which are irreconcilable. The assumption that the title of the Psalm originally was either merely שׁיר מזמור לבני־קרח, or merely למנצח וגו, is warranted by the fact that only in this one Psalm למנצח does not occupy the first place in the inscriptions. But which of the two statements is the more reliable one?
Most assuredly the latter; for שׁיר מזמור לבני־קרח is only a recurrent repetition of the inscription of Psa 87:1-7. The second statement, on the other hand, by its precise designation of the melody, and by the designation of the author, which corresponds to the Psalm that follows, gives evidence of its antiquity and its historical character.
Psa 88:1-7 The poet finds himself in the midst of circumstances gloomy in the extreme, but he does not despair; he still turns towards Jahve with his complaints, and calls Him the God of his salvation. This actus directus of fleeing in prayer to the God of salvation, which urges its way through all that is dark and gloomy, is the fundamental characteristic of all true faith.
Psa 88:2 is not to be rendered, as a clause of itself: “by day I cry unto Thee, in the night before Thee” (lxx and Targum), which ought to have been יומם, but (as it is also pointed, especially in Baer’s text): by day, i. e. , in the time (Psa 56:4; Psa 78:42, cf. Psa 18:1), when I cry before Thee in the night, let my prayer come... (Hitzig). In Psa 88:3 he calls his piercing lamentation, his wailing supplication, רנּתי, as in Psa 17:1; Psa 61:2.
הטּה as in Psa 86:1, for which we find הט in Psa 17:6. The Beth of בּרעות, as in Psa 65:5; Lam 3:15, Lam 3:30, denotes that of which his soul has already had abundantly sufficient. On Psa 88:4 , cf. as to the syntax Psa 31:11. איל (ἅπαξ λεγομ. like אילוּת, Psa 22:20) signifies succinctness, compactness, vigorousness (ἁδρότης): he is like a man from whom all vital freshness and vigour is gone, therefore now only like the shadow of a man, in fact like one already dead.
חפשׁי, in Psa 88:6 , the lxx renders ἐν νεκροῖς ἐλεύθερος (Symmachus, ἀφεὶς ἐλεύθερος); and in like manner the Targum, and the Talmud which follows it in formulating the proposition that a deceased person is חפשׁי מן חמצוות, free from the fulfilling of the precepts of the Law (cf. Rom 6:7). Hitzig, Ewald, Köster, and Böttcher, on the contrary, explain it according to Eze 27:20 (where חפשׁ signifies stragulum ): among the dead is my couch (חפשׁי = יצועי, Job 17:13).
But in respect of Job 3:19 the adjectival rendering is the more probable; “one set free among the dead” (lxx) is equivalent to one released from the bond of life (Job 39:5), somewhat as in Latin a dead person is called defunctus . God does not remember the dead, i. e. , practically, inasmuch as, devoid of any progressive history, their condition remains always the same; they are in fact cut away (נגזר as in Psa 31:23; Lam 3:54; Isa 53:8) from the hand, viz.
, from the guiding and helping hand, of God. Their dwelling-place is the pit of the places lying deep beneath (cf. on תּחתּיּות, Psa 63:10; Psa 86:13; Eze 26:20, and more particularly Lam 3:55), the dark regions (מחשׁכּים as in Psa 143:3, Lam 3:6), the submarine depths (בּמצלות; lxx, Symmachus, the Syriac, etc. : ἐν σκιᾷ θανάτου = בצלמות, according to Job 10:21 and frequently, but contrary to Lam 3:54), whose open abyss is the grave for each one.
On Psa 88:8 cf. Psa 42:8. The Mugrash by כל־משׁבריך stamps it as an adverbial accusative (Targum), or more correctly, since the expression is not עניתני, as the object placed in advance. Only those who are not conversant with the subject (as Hupfeld in this instance) imagine that the accentuation marks ענּית as a relative clause (cf. on the contrary Psa 8:7 , Psa 21:3 , etc.)
ענּה, to bow down, press down; here used of the turning or directing downwards (lxx ἐπήγαγες) of the waves, which burst like a cataract over the afflicted one.
Psa 88:1-7 The poet finds himself in the midst of circumstances gloomy in the extreme, but he does not despair; he still turns towards Jahve with his complaints, and calls Him the God of his salvation. This actus directus of fleeing in prayer to the God of salvation, which urges its way through all that is dark and gloomy, is the fundamental characteristic of all true faith.
Psa 88:2 is not to be rendered, as a clause of itself: “by day I cry unto Thee, in the night before Thee” (lxx and Targum), which ought to have been יומם, but (as it is also pointed, especially in Baer’s text): by day, i. e. , in the time (Psa 56:4; Psa 78:42, cf. Psa 18:1), when I cry before Thee in the night, let my prayer come... (Hitzig). In Psa 88:3 he calls his piercing lamentation, his wailing supplication, רנּתי, as in Psa 17:1; Psa 61:2.
הטּה as in Psa 86:1, for which we find הט in Psa 17:6. The Beth of בּרעות, as in Psa 65:5; Lam 3:15, Lam 3:30, denotes that of which his soul has already had abundantly sufficient. On Psa 88:4 , cf. as to the syntax Psa 31:11. איל (ἅπαξ λεγομ. like אילוּת, Psa 22:20) signifies succinctness, compactness, vigorousness (ἁδρότης): he is like a man from whom all vital freshness and vigour is gone, therefore now only like the shadow of a man, in fact like one already dead.
חפשׁי, in Psa 88:6 , the lxx renders ἐν νεκροῖς ἐλεύθερος (Symmachus, ἀφεὶς ἐλεύθερος); and in like manner the Targum, and the Talmud which follows it in formulating the proposition that a deceased person is חפשׁי מן חמצוות, free from the fulfilling of the precepts of the Law (cf. Rom 6:7). Hitzig, Ewald, Köster, and Böttcher, on the contrary, explain it according to Eze 27:20 (where חפשׁ signifies stragulum ): among the dead is my couch (חפשׁי = יצועי, Job 17:13).
But in respect of Job 3:19 the adjectival rendering is the more probable; “one set free among the dead” (lxx) is equivalent to one released from the bond of life (Job 39:5), somewhat as in Latin a dead person is called defunctus . God does not remember the dead, i. e. , practically, inasmuch as, devoid of any progressive history, their condition remains always the same; they are in fact cut away (נגזר as in Psa 31:23; Lam 3:54; Isa 53:8) from the hand, viz.
, from the guiding and helping hand, of God. Their dwelling-place is the pit of the places lying deep beneath (cf. on תּחתּיּות, Psa 63:10; Psa 86:13; Eze 26:20, and more particularly Lam 3:55), the dark regions (מחשׁכּים as in Psa 143:3, Lam 3:6), the submarine depths (בּמצלות; lxx, Symmachus, the Syriac, etc. : ἐν σκιᾷ θανάτου = בצלמות, according to Job 10:21 and frequently, but contrary to Lam 3:54), whose open abyss is the grave for each one.
On Psa 88:8 cf. Psa 42:8. The Mugrash by כל־משׁבריך stamps it as an adverbial accusative (Targum), or more correctly, since the expression is not עניתני, as the object placed in advance. Only those who are not conversant with the subject (as Hupfeld in this instance) imagine that the accentuation marks ענּית as a relative clause (cf. on the contrary Psa 8:7 , Psa 21:3 , etc.)
ענּה, to bow down, press down; here used of the turning or directing downwards (lxx ἐπήγαγες) of the waves, which burst like a cataract over the afflicted one.
Psa 88:1-7 The poet finds himself in the midst of circumstances gloomy in the extreme, but he does not despair; he still turns towards Jahve with his complaints, and calls Him the God of his salvation. This actus directus of fleeing in prayer to the God of salvation, which urges its way through all that is dark and gloomy, is the fundamental characteristic of all true faith.
Psa 88:2 is not to be rendered, as a clause of itself: “by day I cry unto Thee, in the night before Thee” (lxx and Targum), which ought to have been יומם, but (as it is also pointed, especially in Baer’s text): by day, i. e. , in the time (Psa 56:4; Psa 78:42, cf. Psa 18:1), when I cry before Thee in the night, let my prayer come... (Hitzig). In Psa 88:3 he calls his piercing lamentation, his wailing supplication, רנּתי, as in Psa 17:1; Psa 61:2.
הטּה as in Psa 86:1, for which we find הט in Psa 17:6. The Beth of בּרעות, as in Psa 65:5; Lam 3:15, Lam 3:30, denotes that of which his soul has already had abundantly sufficient. On Psa 88:4 , cf. as to the syntax Psa 31:11. איל (ἅπαξ λεγομ. like אילוּת, Psa 22:20) signifies succinctness, compactness, vigorousness (ἁδρότης): he is like a man from whom all vital freshness and vigour is gone, therefore now only like the shadow of a man, in fact like one already dead.
חפשׁי, in Psa 88:6 , the lxx renders ἐν νεκροῖς ἐλεύθερος (Symmachus, ἀφεὶς ἐλεύθερος); and in like manner the Targum, and the Talmud which follows it in formulating the proposition that a deceased person is חפשׁי מן חמצוות, free from the fulfilling of the precepts of the Law (cf. Rom 6:7). Hitzig, Ewald, Köster, and Böttcher, on the contrary, explain it according to Eze 27:20 (where חפשׁ signifies stragulum ): among the dead is my couch (חפשׁי = יצועי, Job 17:13).
But in respect of Job 3:19 the adjectival rendering is the more probable; “one set free among the dead” (lxx) is equivalent to one released from the bond of life (Job 39:5), somewhat as in Latin a dead person is called defunctus . God does not remember the dead, i. e. , practically, inasmuch as, devoid of any progressive history, their condition remains always the same; they are in fact cut away (נגזר as in Psa 31:23; Lam 3:54; Isa 53:8) from the hand, viz.
, from the guiding and helping hand, of God. Their dwelling-place is the pit of the places lying deep beneath (cf. on תּחתּיּות, Psa 63:10; Psa 86:13; Eze 26:20, and more particularly Lam 3:55), the dark regions (מחשׁכּים as in Psa 143:3, Lam 3:6), the submarine depths (בּמצלות; lxx, Symmachus, the Syriac, etc. : ἐν σκιᾷ θανάτου = בצלמות, according to Job 10:21 and frequently, but contrary to Lam 3:54), whose open abyss is the grave for each one.
On Psa 88:8 cf. Psa 42:8. The Mugrash by כל־משׁבריך stamps it as an adverbial accusative (Targum), or more correctly, since the expression is not עניתני, as the object placed in advance. Only those who are not conversant with the subject (as Hupfeld in this instance) imagine that the accentuation marks ענּית as a relative clause (cf. on the contrary Psa 8:7 , Psa 21:3 , etc.)
ענּה, to bow down, press down; here used of the turning or directing downwards (lxx ἐπήγαγες) of the waves, which burst like a cataract over the afflicted one.