Psalms 104

Psa 104:5-9 In a second decastich the poet speaks of the restraining of the lower waters and the establishing of the land standing out of the water. The suffix, referring back to ארץ, is intended to say that the earth hanging free in space (Job 26:7) has its internal supports. Its eternal stability is preserved even amidst the judgment predicted in Isa 24:16.

, since it comes forth out of it, unremoved from its former station, as a transformed, glorified earth. The deep (תּהום) with which God covers it is that primordial mass of water in which it lay first of all as it were in embryo, for it came into being ἐξ ὕδατος καὶ δι ̓ ὕδατος (2Pe 3:5). כּסּיתו does not refer to תהום ( masc . as in Job 28:14), because then עליה would be required, but to ארץ, and the masculine is to be explained either by attraction) according to the model of 1Sa 2:4 ), or by a reversion to the masculine ground-form as the discourse proceeds (cf.

the same thing with עיר 2Sa 17:13, צעקה Exo 11:6, יד Eze 2:9). According to Psa 104:6 , the earth thus overflowed with water was already mountainous; the primal formation of the mountains is therefore just as old as the תהום mentioned in direct succession to the תהו ובהו. After this, Psa 104:7 describe the subduing of the primordial waters by raising up the dry land and the confining of these waters in basins surrounded by banks.

Terrified by the despotic command of God, they started asunder, and mountains rose aloft, the dry land with its heights and its low grounds appeared. The rendering that the waters, thrown into wild excitement, rose up the mountains and descended again (Hengstenberg), does not harmonize with the fact that they are represented in Psa 104:6 as standing above the mountains.

Accordingly, too, it is not to be interpreted after Psa 107:26 : they (the waters) rose mountain-high, they sunk down like valleys. The reference of the description to the coming forth of the dry land on the third day of creation requires that הרים should be taken as subject to יעלוּ. But then, too, the בקעות are the subject to ירדוּ, as Hilary of Poictiers renders it in his Genesis , 5:97, etc.

: subsidunt valles , and not the waters as subsiding into the valleys. Hupfeld is correct; Psa 104:8 is a parenthesis which affirms that, inasmuch as the waters retreating laid the solid land bare, mountains and valleys as such came forth visibly; cf. Ovid, Metam. i. 344: Flumina subsidunt, montes exire videntur.

Psa 104:5-9 In a second decastich the poet speaks of the restraining of the lower waters and the establishing of the land standing out of the water. The suffix, referring back to ארץ, is intended to say that the earth hanging free in space (Job 26:7) has its internal supports. Its eternal stability is preserved even amidst the judgment predicted in Isa 24:16.

, since it comes forth out of it, unremoved from its former station, as a transformed, glorified earth. The deep (תּהום) with which God covers it is that primordial mass of water in which it lay first of all as it were in embryo, for it came into being ἐξ ὕδατος καὶ δι ̓ ὕδατος (2Pe 3:5). כּסּיתו does not refer to תהום ( masc . as in Job 28:14), because then עליה would be required, but to ארץ, and the masculine is to be explained either by attraction) according to the model of 1Sa 2:4 ), or by a reversion to the masculine ground-form as the discourse proceeds (cf.

the same thing with עיר 2Sa 17:13, צעקה Exo 11:6, יד Eze 2:9). According to Psa 104:6 , the earth thus overflowed with water was already mountainous; the primal formation of the mountains is therefore just as old as the תהום mentioned in direct succession to the תהו ובהו. After this, Psa 104:7 describe the subduing of the primordial waters by raising up the dry land and the confining of these waters in basins surrounded by banks.

Terrified by the despotic command of God, they started asunder, and mountains rose aloft, the dry land with its heights and its low grounds appeared. The rendering that the waters, thrown into wild excitement, rose up the mountains and descended again (Hengstenberg), does not harmonize with the fact that they are represented in Psa 104:6 as standing above the mountains.

Accordingly, too, it is not to be interpreted after Psa 107:26 : they (the waters) rose mountain-high, they sunk down like valleys. The reference of the description to the coming forth of the dry land on the third day of creation requires that הרים should be taken as subject to יעלוּ. But then, too, the בקעות are the subject to ירדוּ, as Hilary of Poictiers renders it in his Genesis , 5:97, etc.

: subsidunt valles , and not the waters as subsiding into the valleys. Hupfeld is correct; Psa 104:8 is a parenthesis which affirms that, inasmuch as the waters retreating laid the solid land bare, mountains and valleys as such came forth visibly; cf. Ovid, Metam. i. 344: Flumina subsidunt, montes exire videntur.

Psa 104:5-9 In a second decastich the poet speaks of the restraining of the lower waters and the establishing of the land standing out of the water. The suffix, referring back to ארץ, is intended to say that the earth hanging free in space (Job 26:7) has its internal supports. Its eternal stability is preserved even amidst the judgment predicted in Isa 24:16.

, since it comes forth out of it, unremoved from its former station, as a transformed, glorified earth. The deep (תּהום) with which God covers it is that primordial mass of water in which it lay first of all as it were in embryo, for it came into being ἐξ ὕδατος καὶ δι ̓ ὕδατος (2Pe 3:5). כּסּיתו does not refer to תהום ( masc . as in Job 28:14), because then עליה would be required, but to ארץ, and the masculine is to be explained either by attraction) according to the model of 1Sa 2:4 ), or by a reversion to the masculine ground-form as the discourse proceeds (cf.

the same thing with עיר 2Sa 17:13, צעקה Exo 11:6, יד Eze 2:9). According to Psa 104:6 , the earth thus overflowed with water was already mountainous; the primal formation of the mountains is therefore just as old as the תהום mentioned in direct succession to the תהו ובהו. After this, Psa 104:7 describe the subduing of the primordial waters by raising up the dry land and the confining of these waters in basins surrounded by banks.

Terrified by the despotic command of God, they started asunder, and mountains rose aloft, the dry land with its heights and its low grounds appeared. The rendering that the waters, thrown into wild excitement, rose up the mountains and descended again (Hengstenberg), does not harmonize with the fact that they are represented in Psa 104:6 as standing above the mountains.

Accordingly, too, it is not to be interpreted after Psa 107:26 : they (the waters) rose mountain-high, they sunk down like valleys. The reference of the description to the coming forth of the dry land on the third day of creation requires that הרים should be taken as subject to יעלוּ. But then, too, the בקעות are the subject to ירדוּ, as Hilary of Poictiers renders it in his Genesis , 5:97, etc.

: subsidunt valles , and not the waters as subsiding into the valleys. Hupfeld is correct; Psa 104:8 is a parenthesis which affirms that, inasmuch as the waters retreating laid the solid land bare, mountains and valleys as such came forth visibly; cf. Ovid, Metam. i. 344: Flumina subsidunt, montes exire videntur.

Psa 104:5-9 In a second decastich the poet speaks of the restraining of the lower waters and the establishing of the land standing out of the water. The suffix, referring back to ארץ, is intended to say that the earth hanging free in space (Job 26:7) has its internal supports. Its eternal stability is preserved even amidst the judgment predicted in Isa 24:16.

, since it comes forth out of it, unremoved from its former station, as a transformed, glorified earth. The deep (תּהום) with which God covers it is that primordial mass of water in which it lay first of all as it were in embryo, for it came into being ἐξ ὕδατος καὶ δι ̓ ὕδατος (2Pe 3:5). כּסּיתו does not refer to תהום ( masc . as in Job 28:14), because then עליה would be required, but to ארץ, and the masculine is to be explained either by attraction) according to the model of 1Sa 2:4 ), or by a reversion to the masculine ground-form as the discourse proceeds (cf.

the same thing with עיר 2Sa 17:13, צעקה Exo 11:6, יד Eze 2:9). According to Psa 104:6 , the earth thus overflowed with water was already mountainous; the primal formation of the mountains is therefore just as old as the תהום mentioned in direct succession to the תהו ובהו. After this, Psa 104:7 describe the subduing of the primordial waters by raising up the dry land and the confining of these waters in basins surrounded by banks.

Terrified by the despotic command of God, they started asunder, and mountains rose aloft, the dry land with its heights and its low grounds appeared. The rendering that the waters, thrown into wild excitement, rose up the mountains and descended again (Hengstenberg), does not harmonize with the fact that they are represented in Psa 104:6 as standing above the mountains.

Accordingly, too, it is not to be interpreted after Psa 107:26 : they (the waters) rose mountain-high, they sunk down like valleys. The reference of the description to the coming forth of the dry land on the third day of creation requires that הרים should be taken as subject to יעלוּ. But then, too, the בקעות are the subject to ירדוּ, as Hilary of Poictiers renders it in his Genesis , 5:97, etc.

: subsidunt valles , and not the waters as subsiding into the valleys. Hupfeld is correct; Psa 104:8 is a parenthesis which affirms that, inasmuch as the waters retreating laid the solid land bare, mountains and valleys as such came forth visibly; cf. Ovid, Metam. i. 344: Flumina subsidunt, montes exire videntur.

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:10-14 The third decastich, passing on to the third day of creation, sings the benefit which the shore-surrounded waters are to the animal creation and the growth of the plants out of the earth, which is irrigated from below and moistened from above. God, the blessed One, being the principal subject of the Psalm, the poet (in Psa 104:10 and further on) is able to go on in attributive and predicative participles: Who sendeth springs בּנּחלים, into the wadîs (not: בּנחלים, as brooks).

נחל, as Psa 104:10 shows, is here a synonym of בּקעה, and there is no need for saying that, flowing on in the plains, they grow into rivers. The lxx has ἐν φάραγξιν. חיתו שׂדי is doubly poetic for חיּת השּׂדה. God has also provided for all the beasts that roam far from men; and the wild ass, swift as an arrow, difficult to be hunted, and living in troops (פּרא, Arabic ferâ , root פר, Arab.

fr , to move quickly, to whiz, to flee; the wild ass, the onager , Arabic himâr el-wahs, whose home is on the steppes), is made prominent by way of example. The phrase “to break the thirst” occurs only here. עליהם, Psa 104:12 , refers to the מעינים, which are also still the subject in Psa 104:11 . The pointing עפאים needlessly creates a hybrid form in addition to עפאים (like לבאים) and עפיים.

From the tangled branches by the springs the poet insensibly reaches the second half of the third day. The vegetable kingdom at the same time reminds him of the rain which, descending out of the upper chambers of the heavens, waters the waterless mountain-tops. Like the Talmud ( B. Ta‛anı̂th , 10 a ), by the “fruit of Thy work” (מעשׂיך as singular) Hitzig understands the rain; but rain is rather that which fertilizes; and why might not the fruit be meant which God’s works (מעשׂיך, plural) here below (Psa 104:24), viz.

, the vegetable creations, bear, and from which the earth, i. e. , its population, is satisfied, inasmuch as vegetable food springs up as much for the beasts as for man? In connection with עשׂב the poet is thinking of cultivated plants, more especially wheat; לעבדת, however, does not signify: for cultivation by man , since, according to Hitzig’s correct remonstrance, they do not say עבד העשׂב, and להוציא has not man, but rather God, as its subject, but as in 1Ch 26:30, for the service (use) of man .

Psa 104:19-23 The fifth decastich, in which the poet passes over from the third to the fourth day, shows that he has the order of the days of creation before his mind. The moon is mentioned first of all, because the poet wishes to make the picture of the day follow that of the night. He describes it in Psa 104:19 as the calendarial principal star. מועדים are points and divisions of time (epochs), and the principal measurer of these for civil and ecclesiastical life is the moon (cf.

Sir. 43:7, ἀπὸ σελήνης σημεῖον ἑορτῆς), just as the sun, knowing when he is to set, is the infallible measurer of the day. In Psa 104:20 the description, which throughout is drawn in the presence of God in His honour, passes over into direct address: jussives (תּשׁת, ויהי) stand in the hypothetical protasis and in its apodosis (EW. §357, b ). It depends upon God’s willing only, and it is night, and the wakeful life of the wild beasts begins to be astir.

The young lions then roar after their prey, and flagitaturi sunt a Deo cibum suum . The infinitive with Lamed is an elliptical expression of a conjugatio periphrastica (vid. , on Hab 1:17), and becomes a varying expression of the future in general in the later language in approximation to the Aramaic. The roar of the lions and their going forth in quest of prey is an asking of God which He Himself has implanted in their nature.

With the rising of the sun the aspect of things becomes very different. שׁמשׁ is feminine here, where the poet drops the personification (cf. Psa 19:1-14). The day which dawns with sunrise is the time for man. Both as to matter and style, Psa 104:21 call to mind Job 24:5; Job 37:8; Job 38:40.

Psa 104:19-23 The fifth decastich, in which the poet passes over from the third to the fourth day, shows that he has the order of the days of creation before his mind. The moon is mentioned first of all, because the poet wishes to make the picture of the day follow that of the night. He describes it in Psa 104:19 as the calendarial principal star. מועדים are points and divisions of time (epochs), and the principal measurer of these for civil and ecclesiastical life is the moon (cf.

Sir. 43:7, ἀπὸ σελήνης σημεῖον ἑορτῆς), just as the sun, knowing when he is to set, is the infallible measurer of the day. In Psa 104:20 the description, which throughout is drawn in the presence of God in His honour, passes over into direct address: jussives (תּשׁת, ויהי) stand in the hypothetical protasis and in its apodosis (EW. §357, b ). It depends upon God’s willing only, and it is night, and the wakeful life of the wild beasts begins to be astir.

The young lions then roar after their prey, and flagitaturi sunt a Deo cibum suum . The infinitive with Lamed is an elliptical expression of a conjugatio periphrastica (vid. , on Hab 1:17), and becomes a varying expression of the future in general in the later language in approximation to the Aramaic. The roar of the lions and their going forth in quest of prey is an asking of God which He Himself has implanted in their nature.

With the rising of the sun the aspect of things becomes very different. שׁמשׁ is feminine here, where the poet drops the personification (cf. Psa 19:1-14). The day which dawns with sunrise is the time for man. Both as to matter and style, Psa 104:21 call to mind Job 24:5; Job 37:8; Job 38:40.

Psa 104:19-23 The fifth decastich, in which the poet passes over from the third to the fourth day, shows that he has the order of the days of creation before his mind. The moon is mentioned first of all, because the poet wishes to make the picture of the day follow that of the night. He describes it in Psa 104:19 as the calendarial principal star. מועדים are points and divisions of time (epochs), and the principal measurer of these for civil and ecclesiastical life is the moon (cf.

Sir. 43:7, ἀπὸ σελήνης σημεῖον ἑορτῆς), just as the sun, knowing when he is to set, is the infallible measurer of the day. In Psa 104:20 the description, which throughout is drawn in the presence of God in His honour, passes over into direct address: jussives (תּשׁת, ויהי) stand in the hypothetical protasis and in its apodosis (EW. §357, b ). It depends upon God’s willing only, and it is night, and the wakeful life of the wild beasts begins to be astir.

The young lions then roar after their prey, and flagitaturi sunt a Deo cibum suum . The infinitive with Lamed is an elliptical expression of a conjugatio periphrastica (vid. , on Hab 1:17), and becomes a varying expression of the future in general in the later language in approximation to the Aramaic. The roar of the lions and their going forth in quest of prey is an asking of God which He Himself has implanted in their nature.

With the rising of the sun the aspect of things becomes very different. שׁמשׁ is feminine here, where the poet drops the personification (cf. Psa 19:1-14). The day which dawns with sunrise is the time for man. Both as to matter and style, Psa 104:21 call to mind Job 24:5; Job 37:8; Job 38:40.

Psa 104:19-23 The fifth decastich, in which the poet passes over from the third to the fourth day, shows that he has the order of the days of creation before his mind. The moon is mentioned first of all, because the poet wishes to make the picture of the day follow that of the night. He describes it in Psa 104:19 as the calendarial principal star. מועדים are points and divisions of time (epochs), and the principal measurer of these for civil and ecclesiastical life is the moon (cf.

Sir. 43:7, ἀπὸ σελήνης σημεῖον ἑορτῆς), just as the sun, knowing when he is to set, is the infallible measurer of the day. In Psa 104:20 the description, which throughout is drawn in the presence of God in His honour, passes over into direct address: jussives (תּשׁת, ויהי) stand in the hypothetical protasis and in its apodosis (EW. §357, b ). It depends upon God’s willing only, and it is night, and the wakeful life of the wild beasts begins to be astir.

The young lions then roar after their prey, and flagitaturi sunt a Deo cibum suum . The infinitive with Lamed is an elliptical expression of a conjugatio periphrastica (vid. , on Hab 1:17), and becomes a varying expression of the future in general in the later language in approximation to the Aramaic. The roar of the lions and their going forth in quest of prey is an asking of God which He Himself has implanted in their nature.

With the rising of the sun the aspect of things becomes very different. שׁמשׁ is feminine here, where the poet drops the personification (cf. Psa 19:1-14). The day which dawns with sunrise is the time for man. Both as to matter and style, Psa 104:21 call to mind Job 24:5; Job 37:8; Job 38:40.

Psa 104:19-23 The fifth decastich, in which the poet passes over from the third to the fourth day, shows that he has the order of the days of creation before his mind. The moon is mentioned first of all, because the poet wishes to make the picture of the day follow that of the night. He describes it in Psa 104:19 as the calendarial principal star. מועדים are points and divisions of time (epochs), and the principal measurer of these for civil and ecclesiastical life is the moon (cf.

Sir. 43:7, ἀπὸ σελήνης σημεῖον ἑορτῆς), just as the sun, knowing when he is to set, is the infallible measurer of the day. In Psa 104:20 the description, which throughout is drawn in the presence of God in His honour, passes over into direct address: jussives (תּשׁת, ויהי) stand in the hypothetical protasis and in its apodosis (EW. §357, b ). It depends upon God’s willing only, and it is night, and the wakeful life of the wild beasts begins to be astir.

The young lions then roar after their prey, and flagitaturi sunt a Deo cibum suum . The infinitive with Lamed is an elliptical expression of a conjugatio periphrastica (vid. , on Hab 1:17), and becomes a varying expression of the future in general in the later language in approximation to the Aramaic. The roar of the lions and their going forth in quest of prey is an asking of God which He Himself has implanted in their nature.

With the rising of the sun the aspect of things becomes very different. שׁמשׁ is feminine here, where the poet drops the personification (cf. Psa 19:1-14). The day which dawns with sunrise is the time for man. Both as to matter and style, Psa 104:21 call to mind Job 24:5; Job 37:8; Job 38:40.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:24-30 Fixing his eye upon the sea with its small and great creatures, and the care of God for all self-living beings, the poet passes over to the fifth and sixth days of creation. The rich contents of this sixth group flow over and exceed the decastich. With מה־רבּוּ (not מה־גּדלוּ, Psa 92:6) the poet expresses his wonder at the great number of God’s works, each one at the same time having its adjustment in accordance with its design, and all, mutually serving one another, co-operating one with another.

קנין, which signifies both bringing forth and acquiring, has the former meaning here according to the predicate: full of creatures, which bear in themselves the traces of the Name of their Creator (קנה). Beside קיניך, however, we also find the reading קנינך, which is adopted by Norzi, Heidenheim, and Baer, represented by the versions (lxx, Vulgate, and Jerome), by expositors (Rashi: קנין שׁלּך), by the majority of the MSS (according to Norzi) and old printed copies, which would signify τῆς κτίσεώς σου, or according to the Latin versions κτήσεώς σου ( possessione tua , Luther “they possessions”), but is inferior to the plural ktisma'toon σου, as an accusative of the object to מלאה.

The sea more particularly is a world of moving creatures innumerable (Psa 69:35). זה היּם does not properly signify this sea, but that sea, yonder sea (cf. Psa 68:9, Isa 23:13; Jos 9:13). The attributes follow in an appositional relation, the looseness of which admits of the non-determination (cf. Psa 68:28; Jer 2:21; Gen 43:14, and the reverse case above in Psa 104:18 ).

אניּה .) in relation to אני is a nomen unitatis (the single ship). It is an old word, which is also Egyptian in the form hani and ana . Leviathan , in the Book of Job, the crocodile, is in this passage the name of the whale (vid. , Lewysohn, Zoologie des Talmuds , §§178-180, 505). Ewald and Hitzig, with the Jewish tradition, understand בּו in Psa 104:26 according to Job 41:5 : in order to play with him, which, however, gives no idea that is worthy of God.

It may be taken as an alternative word for שׁם (cf. בּו in Psa 104:20, Job 40:20): to play therein, viz. , in the sea (Saadia). In כּלּם, Psa 104:27, the range of vision is widened from the creatures of the sea to all the living things of the earth; cf. the borrowed passages Psa 145:15. , Psa 147:9. כּלּם, by an obliteration of the suffix, signifies directly “altogether,” and בּעתּו (cf.

Job 38:32): when it is time for it. With reference to the change of the subject in the principal and in the infinitival clause, vid. , Ew. §338, a . The existence, passing away, and origin of all beings is conditioned by God. His hand provides everything; the turning of His countenance towards them upholds everything; and His breath, the creative breath, animates and renews all things.

The spirit of life of every creature is the disposing of the divine Spirit, which hovered over the primordial waters and transformed the chaos into the cosmos. תּסף in Psa 104:29 is equivalent to תּאסף, as in 1Sa 15:6, and frequently. The full future forms accented on the ultima , from Psa 104:27 onwards, give emphasis to the statements. Job 34:14. may be compared with Psa 104:29.

Psa 104:31-35 The poet has now come to an end with the review of the wonders of the creation, and closes in this seventh group, which is again substantially decastichic, with a sabbatic meditation, inasmuch as he wishes that the glory of God, which He has put upon His creatures, and which is reflected and echoed back by them to Him, may continue for ever, and that His works may ever be so constituted that He who was satisfied at the completion of His six days’ work may be able to rejoice in them. For if they cease to give Him pleasure, He can indeed blot them out as He did at the time of the Flood, since He is always able by a look to put the earth in a tremble, and by a touch to set the mountains on fire (ותּרעד of the result of the looking, as in Amo 5:8; Amo 9:6, and ויעשׁנוּ of that which takes place simultaneously with the touching, as in Psa 144:5, Zec 9:5, cf.

on Hab 3:10). The poet, however, on his part, will not suffer there to be any lack of the glorifying of Jahve, inasmuch as he makes it his life’s work to praise his God with music and song (בּחיּי as in Psa 63:5, cf. Bar. 4:20, ἐν ταῖς ἡμέραις μου). Oh that this his quiet and his audible meditation upon the honour of God may be pleasing to Him (ערב על synonymous with טּוב על, but also שׁפר על, Psa 16:6)!

Oh that Jahve may be able to rejoice in him, as he himself will rejoice in his God! Between “I will rejoice,” Psa 104:34, and “He shall rejoice,” Psa 104:31, there exists a reciprocal relation, as between the Sabbath of the creature in God and the Sabbath of God in the creature. When the Psalmist wishes that God may have joy in His works of creation, and seeks on his part to please God and to have his joy in God, he is also warranted in wishing that those who take pleasure in wickedness, and instead of giving God joy excite His wrath, may be removed from the earth (יתּמּוּ, cf.

Num 14:35); for they are contrary to the purpose of the good creation of God, they imperil its continuance, and mar the joy of His creatures. The expression is not: may sins (חטּאים, as it is meant to be read in B. Berachoth , 10 a , and as some editions, e. g. , Bomberg’s of 1521, actually have it), but: may sinners, be no more, for there is no other existence of sin than the personal one.

With the words Bless, O my soul, Jahve , the Psalm recurs to its introduction, and to this call upon himself is appended the Hallelujah which summons all creatures to the praise of God - a call of devotion which occurs nowhere out of the Psalter, and within the Psalter is found here for the first time, and consequently was only coined in the alter age. In modern printed copies it is sometimes written הללוּ־יהּ, sometimes הללוּ יהּ, but in the earlier copies (e.

g. , Venice 1521, Wittenberg 1566) mostly as one word הללוּיהּ. In the majority of MSS it is also found thus as one word, and that always with הּ, except the first הללוּיהּ which occurs here at the end of Ps 104, which has ה raphe in good MSS and old printed copies. This mode of writing is that attested by the Masora (vid. , Baer’s Psalterium , p. 132). The Talmud and Midrash observe this first Hallelujah is connected in a significant manner with the prospect of the final overthrow of the wicked.

Ben-Pazzi ( B. Berachoth 10 a ) counts 103 פרשׁיות up to this Hallelujah, reckoning Psa 1:1-6 and Psa 2:1-12 as one פרשׁת'.

Psa 104:31-35 The poet has now come to an end with the review of the wonders of the creation, and closes in this seventh group, which is again substantially decastichic, with a sabbatic meditation, inasmuch as he wishes that the glory of God, which He has put upon His creatures, and which is reflected and echoed back by them to Him, may continue for ever, and that His works may ever be so constituted that He who was satisfied at the completion of His six days’ work may be able to rejoice in them. For if they cease to give Him pleasure, He can indeed blot them out as He did at the time of the Flood, since He is always able by a look to put the earth in a tremble, and by a touch to set the mountains on fire (ותּרעד of the result of the looking, as in Amo 5:8; Amo 9:6, and ויעשׁנוּ of that which takes place simultaneously with the touching, as in Psa 144:5, Zec 9:5, cf.

on Hab 3:10). The poet, however, on his part, will not suffer there to be any lack of the glorifying of Jahve, inasmuch as he makes it his life’s work to praise his God with music and song (בּחיּי as in Psa 63:5, cf. Bar. 4:20, ἐν ταῖς ἡμέραις μου). Oh that this his quiet and his audible meditation upon the honour of God may be pleasing to Him (ערב על synonymous with טּוב על, but also שׁפר על, Psa 16:6)!

Oh that Jahve may be able to rejoice in him, as he himself will rejoice in his God! Between “I will rejoice,” Psa 104:34, and “He shall rejoice,” Psa 104:31, there exists a reciprocal relation, as between the Sabbath of the creature in God and the Sabbath of God in the creature. When the Psalmist wishes that God may have joy in His works of creation, and seeks on his part to please God and to have his joy in God, he is also warranted in wishing that those who take pleasure in wickedness, and instead of giving God joy excite His wrath, may be removed from the earth (יתּמּוּ, cf.

Num 14:35); for they are contrary to the purpose of the good creation of God, they imperil its continuance, and mar the joy of His creatures. The expression is not: may sins (חטּאים, as it is meant to be read in B. Berachoth , 10 a , and as some editions, e. g. , Bomberg’s of 1521, actually have it), but: may sinners, be no more, for there is no other existence of sin than the personal one.

With the words Bless, O my soul, Jahve , the Psalm recurs to its introduction, and to this call upon himself is appended the Hallelujah which summons all creatures to the praise of God - a call of devotion which occurs nowhere out of the Psalter, and within the Psalter is found here for the first time, and consequently was only coined in the alter age. In modern printed copies it is sometimes written הללוּ־יהּ, sometimes הללוּ יהּ, but in the earlier copies (e.

g. , Venice 1521, Wittenberg 1566) mostly as one word הללוּיהּ. In the majority of MSS it is also found thus as one word, and that always with הּ, except the first הללוּיהּ which occurs here at the end of Ps 104, which has ה raphe in good MSS and old printed copies. This mode of writing is that attested by the Masora (vid. , Baer’s Psalterium , p. 132). The Talmud and Midrash observe this first Hallelujah is connected in a significant manner with the prospect of the final overthrow of the wicked.

Ben-Pazzi ( B. Berachoth 10 a ) counts 103 פרשׁיות up to this Hallelujah, reckoning Psa 1:1-6 and Psa 2:1-12 as one פרשׁת'.

Psa 104:31-35 The poet has now come to an end with the review of the wonders of the creation, and closes in this seventh group, which is again substantially decastichic, with a sabbatic meditation, inasmuch as he wishes that the glory of God, which He has put upon His creatures, and which is reflected and echoed back by them to Him, may continue for ever, and that His works may ever be so constituted that He who was satisfied at the completion of His six days’ work may be able to rejoice in them. For if they cease to give Him pleasure, He can indeed blot them out as He did at the time of the Flood, since He is always able by a look to put the earth in a tremble, and by a touch to set the mountains on fire (ותּרעד of the result of the looking, as in Amo 5:8; Amo 9:6, and ויעשׁנוּ of that which takes place simultaneously with the touching, as in Psa 144:5, Zec 9:5, cf.

on Hab 3:10). The poet, however, on his part, will not suffer there to be any lack of the glorifying of Jahve, inasmuch as he makes it his life’s work to praise his God with music and song (בּחיּי as in Psa 63:5, cf. Bar. 4:20, ἐν ταῖς ἡμέραις μου). Oh that this his quiet and his audible meditation upon the honour of God may be pleasing to Him (ערב על synonymous with טּוב על, but also שׁפר על, Psa 16:6)!

Oh that Jahve may be able to rejoice in him, as he himself will rejoice in his God! Between “I will rejoice,” Psa 104:34, and “He shall rejoice,” Psa 104:31, there exists a reciprocal relation, as between the Sabbath of the creature in God and the Sabbath of God in the creature. When the Psalmist wishes that God may have joy in His works of creation, and seeks on his part to please God and to have his joy in God, he is also warranted in wishing that those who take pleasure in wickedness, and instead of giving God joy excite His wrath, may be removed from the earth (יתּמּוּ, cf.

Num 14:35); for they are contrary to the purpose of the good creation of God, they imperil its continuance, and mar the joy of His creatures. The expression is not: may sins (חטּאים, as it is meant to be read in B. Berachoth , 10 a , and as some editions, e. g. , Bomberg’s of 1521, actually have it), but: may sinners, be no more, for there is no other existence of sin than the personal one.

With the words Bless, O my soul, Jahve , the Psalm recurs to its introduction, and to this call upon himself is appended the Hallelujah which summons all creatures to the praise of God - a call of devotion which occurs nowhere out of the Psalter, and within the Psalter is found here for the first time, and consequently was only coined in the alter age. In modern printed copies it is sometimes written הללוּ־יהּ, sometimes הללוּ יהּ, but in the earlier copies (e.

g. , Venice 1521, Wittenberg 1566) mostly as one word הללוּיהּ. In the majority of MSS it is also found thus as one word, and that always with הּ, except the first הללוּיהּ which occurs here at the end of Ps 104, which has ה raphe in good MSS and old printed copies. This mode of writing is that attested by the Masora (vid. , Baer’s Psalterium , p. 132). The Talmud and Midrash observe this first Hallelujah is connected in a significant manner with the prospect of the final overthrow of the wicked.

Ben-Pazzi ( B. Berachoth 10 a ) counts 103 פרשׁיות up to this Hallelujah, reckoning Psa 1:1-6 and Psa 2:1-12 as one פרשׁת'.

Psa 104:31-35 The poet has now come to an end with the review of the wonders of the creation, and closes in this seventh group, which is again substantially decastichic, with a sabbatic meditation, inasmuch as he wishes that the glory of God, which He has put upon His creatures, and which is reflected and echoed back by them to Him, may continue for ever, and that His works may ever be so constituted that He who was satisfied at the completion of His six days’ work may be able to rejoice in them. For if they cease to give Him pleasure, He can indeed blot them out as He did at the time of the Flood, since He is always able by a look to put the earth in a tremble, and by a touch to set the mountains on fire (ותּרעד of the result of the looking, as in Amo 5:8; Amo 9:6, and ויעשׁנוּ of that which takes place simultaneously with the touching, as in Psa 144:5, Zec 9:5, cf.

on Hab 3:10). The poet, however, on his part, will not suffer there to be any lack of the glorifying of Jahve, inasmuch as he makes it his life’s work to praise his God with music and song (בּחיּי as in Psa 63:5, cf. Bar. 4:20, ἐν ταῖς ἡμέραις μου). Oh that this his quiet and his audible meditation upon the honour of God may be pleasing to Him (ערב על synonymous with טּוב על, but also שׁפר על, Psa 16:6)!

Oh that Jahve may be able to rejoice in him, as he himself will rejoice in his God! Between “I will rejoice,” Psa 104:34, and “He shall rejoice,” Psa 104:31, there exists a reciprocal relation, as between the Sabbath of the creature in God and the Sabbath of God in the creature. When the Psalmist wishes that God may have joy in His works of creation, and seeks on his part to please God and to have his joy in God, he is also warranted in wishing that those who take pleasure in wickedness, and instead of giving God joy excite His wrath, may be removed from the earth (יתּמּוּ, cf.

Num 14:35); for they are contrary to the purpose of the good creation of God, they imperil its continuance, and mar the joy of His creatures. The expression is not: may sins (חטּאים, as it is meant to be read in B. Berachoth , 10 a , and as some editions, e. g. , Bomberg’s of 1521, actually have it), but: may sinners, be no more, for there is no other existence of sin than the personal one.

With the words Bless, O my soul, Jahve , the Psalm recurs to its introduction, and to this call upon himself is appended the Hallelujah which summons all creatures to the praise of God - a call of devotion which occurs nowhere out of the Psalter, and within the Psalter is found here for the first time, and consequently was only coined in the alter age. In modern printed copies it is sometimes written הללוּ־יהּ, sometimes הללוּ יהּ, but in the earlier copies (e.

g. , Venice 1521, Wittenberg 1566) mostly as one word הללוּיהּ. In the majority of MSS it is also found thus as one word, and that always with הּ, except the first הללוּיהּ which occurs here at the end of Ps 104, which has ה raphe in good MSS and old printed copies. This mode of writing is that attested by the Masora (vid. , Baer’s Psalterium , p. 132). The Talmud and Midrash observe this first Hallelujah is connected in a significant manner with the prospect of the final overthrow of the wicked.

Ben-Pazzi ( B. Berachoth 10 a ) counts 103 פרשׁיות up to this Hallelujah, reckoning Psa 1:1-6 and Psa 2:1-12 as one פרשׁת'.

Psa 104:31-35 The poet has now come to an end with the review of the wonders of the creation, and closes in this seventh group, which is again substantially decastichic, with a sabbatic meditation, inasmuch as he wishes that the glory of God, which He has put upon His creatures, and which is reflected and echoed back by them to Him, may continue for ever, and that His works may ever be so constituted that He who was satisfied at the completion of His six days’ work may be able to rejoice in them. For if they cease to give Him pleasure, He can indeed blot them out as He did at the time of the Flood, since He is always able by a look to put the earth in a tremble, and by a touch to set the mountains on fire (ותּרעד of the result of the looking, as in Amo 5:8; Amo 9:6, and ויעשׁנוּ of that which takes place simultaneously with the touching, as in Psa 144:5, Zec 9:5, cf.

on Hab 3:10). The poet, however, on his part, will not suffer there to be any lack of the glorifying of Jahve, inasmuch as he makes it his life’s work to praise his God with music and song (בּחיּי as in Psa 63:5, cf. Bar. 4:20, ἐν ταῖς ἡμέραις μου). Oh that this his quiet and his audible meditation upon the honour of God may be pleasing to Him (ערב על synonymous with טּוב על, but also שׁפר על, Psa 16:6)!

Oh that Jahve may be able to rejoice in him, as he himself will rejoice in his God! Between “I will rejoice,” Psa 104:34, and “He shall rejoice,” Psa 104:31, there exists a reciprocal relation, as between the Sabbath of the creature in God and the Sabbath of God in the creature. When the Psalmist wishes that God may have joy in His works of creation, and seeks on his part to please God and to have his joy in God, he is also warranted in wishing that those who take pleasure in wickedness, and instead of giving God joy excite His wrath, may be removed from the earth (יתּמּוּ, cf.

Num 14:35); for they are contrary to the purpose of the good creation of God, they imperil its continuance, and mar the joy of His creatures. The expression is not: may sins (חטּאים, as it is meant to be read in B. Berachoth , 10 a , and as some editions, e. g. , Bomberg’s of 1521, actually have it), but: may sinners, be no more, for there is no other existence of sin than the personal one.

With the words Bless, O my soul, Jahve , the Psalm recurs to its introduction, and to this call upon himself is appended the Hallelujah which summons all creatures to the praise of God - a call of devotion which occurs nowhere out of the Psalter, and within the Psalter is found here for the first time, and consequently was only coined in the alter age. In modern printed copies it is sometimes written הללוּ־יהּ, sometimes הללוּ יהּ, but in the earlier copies (e.

g. , Venice 1521, Wittenberg 1566) mostly as one word הללוּיהּ. In the majority of MSS it is also found thus as one word, and that always with הּ, except the first הללוּיהּ which occurs here at the end of Ps 104, which has ה raphe in good MSS and old printed copies. This mode of writing is that attested by the Masora (vid. , Baer’s Psalterium , p. 132). The Talmud and Midrash observe this first Hallelujah is connected in a significant manner with the prospect of the final overthrow of the wicked.

Ben-Pazzi ( B. Berachoth 10 a ) counts 103 פרשׁיות up to this Hallelujah, reckoning Psa 1:1-6 and Psa 2:1-12 as one פרשׁת'.

We have here another Psalm closing with Hallelujah , which opens the series of the Hodu -Psalms. Such is the name we give only to Psalms which begin with הודו (Ps 105, Ps 107, Ps 118, Ps 136), just as we call those which begin with הללויה (Ps 106, Psa 111:1, Psa 117:1-2, Ps 135, Psa 146:1) Hallelujah -Psalms ( alleluiatici ). The expression להלּל וּלהודות, which frequently occurs in the books of Chronicles, Ezra, and Nehemiah, points to these two kinds of Psalms, or at least to their key-notes.

The festival song which David, according to 1Ch 16:7, handed over to Asaph and his brethren for musical execution at the setting down of the Ark and the opening of divine service on Zion, is, so far as its first part is concerned (1Ch 16:8-22), taken from our Psalm (Psa 105:1), which is then followed by Psa 96:1-13 as a second part, and is closed with Psa 106:1, Psa 106:47-48. Hitzig regards the festival song in the chronicler as the original, and the respective parallels in the Psalms as “layers or shoots.

” “The chronicler,” says he, “there produces with labour, and therefore himself seeking foreign aid, a song for a past that is dead. ” But the transition from Psa 105:22 to Psa 105:23 and from Psa 105:33 to Psa 105:34, so devoid of connection, the taking over of the verse out of Ps 106 referring to the Babylonian exile into Psa 105:35, and even of the doxology of the Fourth Book, regarded as an integral part of the Psalm, into Psa 105:36, refute that perversion of the right relation which has been attempted in the interest of the Maccabaean Psalms.

That festival song in the chronicler, as has been shown again very recently by Riehm and Köhler, is a compilation of parts of songs already at hand, arranged for a definite purpose. Starting on the assumption that the Psalms as a whole are Davidic (just as all the Proverbs are Salomonic), because David called the poetry of the Psalms used in religious worship into existence, the attempt is made in that festival song to represent the opening of the worship on Zion, at that time in strains belonging to the Davidic Psalms.

So far as the subject-matter is concerned, Psalms 105 attaches itself to the Asaph Ps 78, which recapitulates the history of Israel. The recapitulation here, however, is made not with any didactic purpose, but with the purpose of forming a hymn, and does not come down beyond the time of Moses and Joshua. Its source is likewise the Tôra as it now lies before us.

The poet epitomizes what the Tôra narrates, and clothes it in a poetic garb.

Psa 105:1-6 Invitation to the praise - praise that resounds far and wide among the peoples - of the God who has become manifest wondrously in the deeds and words connected with the history of the founding of Israel. הודה לה, as in Psa 33:2; Psa 75:2, of a praising and thankful confession offered to God; קרא בשׁם ה, to call with the name of Jahve, i. e. , to call upon it, of an audible, solemn attestation of God in prayer and in discourse (Symmachus, κηρύσσετε).

The joy of heart that is desired is the condition of a joyous opening of the mouth and Israel’s own stedfast turning towards Jahve, the condition of all salutary result; for it is only His “strength” that breaks through all dangers, and His “face” that lightens up all darkness. משׁפּטי־פּיו, as Psa 105:7 teaches, are God’s judicial utterances, which have been executed without any hindrance, more particularly in the case of the Egyptians, their Pharaoh, and their gods.

The chronicler has פּיהוּ and זרע ישׂראל, which is so far unsuitable as one does not know whether עבדו is to be referred to “Israel” the patriarch, or to the “seed of Israel,” the nation; the latter reference would be deutero-Isaianic. In both texts the lxx reads עבדו (ye His servants).

Psa 105:1-6 Invitation to the praise - praise that resounds far and wide among the peoples - of the God who has become manifest wondrously in the deeds and words connected with the history of the founding of Israel. הודה לה, as in Psa 33:2; Psa 75:2, of a praising and thankful confession offered to God; קרא בשׁם ה, to call with the name of Jahve, i. e. , to call upon it, of an audible, solemn attestation of God in prayer and in discourse (Symmachus, κηρύσσετε).

The joy of heart that is desired is the condition of a joyous opening of the mouth and Israel’s own stedfast turning towards Jahve, the condition of all salutary result; for it is only His “strength” that breaks through all dangers, and His “face” that lightens up all darkness. משׁפּטי־פּיו, as Psa 105:7 teaches, are God’s judicial utterances, which have been executed without any hindrance, more particularly in the case of the Egyptians, their Pharaoh, and their gods.

The chronicler has פּיהוּ and זרע ישׂראל, which is so far unsuitable as one does not know whether עבדו is to be referred to “Israel” the patriarch, or to the “seed of Israel,” the nation; the latter reference would be deutero-Isaianic. In both texts the lxx reads עבדו (ye His servants).

Psa 105:1-6 Invitation to the praise - praise that resounds far and wide among the peoples - of the God who has become manifest wondrously in the deeds and words connected with the history of the founding of Israel. הודה לה, as in Psa 33:2; Psa 75:2, of a praising and thankful confession offered to God; קרא בשׁם ה, to call with the name of Jahve, i. e. , to call upon it, of an audible, solemn attestation of God in prayer and in discourse (Symmachus, κηρύσσετε).

The joy of heart that is desired is the condition of a joyous opening of the mouth and Israel’s own stedfast turning towards Jahve, the condition of all salutary result; for it is only His “strength” that breaks through all dangers, and His “face” that lightens up all darkness. משׁפּטי־פּיו, as Psa 105:7 teaches, are God’s judicial utterances, which have been executed without any hindrance, more particularly in the case of the Egyptians, their Pharaoh, and their gods.

The chronicler has פּיהוּ and זרע ישׂראל, which is so far unsuitable as one does not know whether עבדו is to be referred to “Israel” the patriarch, or to the “seed of Israel,” the nation; the latter reference would be deutero-Isaianic. In both texts the lxx reads עבדו (ye His servants).