Psalms 84

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

Psa 84:5-12 This second half takes up the “blessed” of the distichic epode (epoodo’s) of the first, and consequently joins member to member chain-like on to it. Many hindrances must be cleared away if the poet is to get back to Zion, his true home; but his longing carries the surety within itself of its fulfilment: blessed, yea in himself blessed, is the man, who has his strength (עוז only here plene ) in God, so that, consequently, the strength of Him to whom all things are possible is mighty in his weakness.

What is said in Psa 84:6 is less adapted to be the object of the being called blessed than the result of that blessed relationship to God. What follows shows that the “high-roads” are not to be understood according to Isa 40:3. , or any other passage, as an ethical, notional figure (Venema, Hengstenberg, Hitzig, and others), but according to Isa 33:8 (cf. Jer 31:21), with Aben-Ezra, Vatablus, and the majority of expositors, of the roads leading towards Zion; not, however, as referring to the return from the Exile, but to the going up to a festival: the pilgrim-high-roads with their separate halting-places (stations) were constantly present to the mind of such persons.

And though they may be driven never so far away from them, they will nevertheless reach the goal of their longing. The most gloomy present becomes bright to them: passing through even a terrible wilderness, they turn it (ישׁיתהו) into a place of springs, their joyous hope and the infinite beauty of the goal, which is worth any amount of toil and trouble, afford them enlivening comfort, refreshing strengthening in the midst of the arid steppe.

עמק הבּכא does not signify the “Valley of weeping,” as Hupfeld at last renders it (lxx κοιλάδα τοῦ κλαυθμῶνος), although Burckhardt found a [Arab.] wâdı̂ 'l - bk' (Valley of weeping) in the neighbourhood of Sinai. In Hebrew “weeping” is בּכי, בּכה, בּכוּת, not בּכא, Rénan, in the fourth chapter of his Vie de Jésus , understands the expression to mean the last station of those who journey from northern Palestine on this side of the Jordan towards Jerusalem, viz.

, Ain el - Haramı̂je , in a narrow and gloomy valley where a black stream of water flows out of the rocks in which graves are dug, so that consequently עמק הככא signifies Valley of tears or of trickling waters. But such trickling out of the rock is also called בּכי, Job 28:11, and not בּכא. This latter is the singular to בּכאים in 2Sa 5:24 (cf. נכאים, צבאים, Psa 103:21), the name of a tree, and, according to the old Jewish lexicographers, of the mulberry-tree (Talmudic תּוּת, Arab.

tût ); but according to the designation, of a tree from which some kind of fluid flows, and such a tree is the Arab. baka'un , resembling the balsam-tree, which is very common in the arid valley of Mecca, and therefore might also have given its name to some arid valley of the Holy Land (vid. , Winer’s Realwörterbuch , s. v. Bacha ), and, according to 2Sa 5:22-25, to one belonging, as it would appear, to the line of valley which leads from the coasts of the Philistines to Jerusalem.

What is spoken of in passages like Isa 35:7; Isa 41:18, as being wrought by the omnipotence of God, who brings His people home to Zion, appears here as the result of the power of faith in those who, keeping the same end of their journeyings in view, pass through the unfruitful sterile valley. That other side, however, also does not remain unexpressed. Not only does their faith bring forth water out of the sand and rock of the desert, but God also on His part lovingly anticipates their love, and rewardingly anticipates their faithfulness: a gentle rain, like that which refreshes the sown fields in the autumn, descends from above and enwraps it (viz.

, the Valley of Baca) in a fulness of blessing (יעטּה, Hiphil with two accusatives, of which one is to be supplied: cf. on the figure, Ps 65:14). The arid steppe becomes resplendent with a flowery festive garment (Isa 35:1.) , not to outward appearance, but to them spiritually, in a manner none the less true and real. And whereas under ordinary circumstances the strength of the traveller diminishes in proportion as he has traversed more and more of his toilsome road, with them it is the very reverse; they go from strength to strength (cf.

on the expression, Jer 9:2; Jer 12:2), i. e. , they receive strength for strength (cf. on the subject-matter, Isa 40:31; Joh 1:16), and that an ever increasing strength, the nearer they come to the desired goal, which also they cannot fail to reach. The pilgrim-band (this is the subject to יראה), going on from strength to (אל) strength, at last reaches, attains to (אל instead of the אל־פּני used in other instances) Elohim in Zion.

Having reached this final goal, the pilgrim-band pours forth its heart in the language of prayer such as we have in Psa 84:9, and the music here strikes up and blends its sympathetic tones with this converse of the church with its God. The poet, however, who in spirit accompanies them on their pilgrimage, is now all the more painfully conscious of being at the present time far removed from this goal, and in the next strophe prays for relief.

He calls God מגנּנוּ (as in Psa 59:12), for without His protection David’s cause is lost. May He then behold (ראה, used just as absolutely as in 2Ch 24:22, cf. Lam 3:50), and look upon the face of His anointed, which looks up to Him out of the depth of its reproach. The position of the words shows that מגנּנוּ is not to be regarded as the object to ראה, according to Psa 89:19 (cf.

Ps 47:10) and in opposition to the accentuation, for why should it not then have been אלהים ראה מגננו? The confirmation (Psa 84:11) puts the fact that we have before us a Psalm belonging to the time of David’s persecution by Absalom beyond all doubt. Manifestly, when his king prevails, the poet will at the same time (cf. David’s language, 2Sa 15:25) be restored to the sanctuary.

A single day of his life in the courts of God is accounted by him as better than a thousand other days (מאלף with Olewejored and preceded by Rebia parvum ). He would rather lie down on the threshold (concerning the significance of this הסתּופף in the mouth of a Korahite, vid. , supra , p. 311) in the house of his God than dwell within in the tents of ungodliness (not “palaces,” as one might have expected, if the house of God had at that time been a palace).

For how worthless is the pleasure and concealment to be had there, when compared with the salvation and protection which Jahve Elohim affords to His saints! This is the only instance in which God is directly called a sun (שׁמשׁ) in the sacred writings (cf. Sir. 42:16). He is called a shield as protecting those who flee to Him and rendering them inaccessible to their foes, and a sun as the Being who dwells in an unapproachable light, which, going forth from Him in love towards men, is particularized as חן and כבוד, as the gentle and overpowering light of the grace and glory (χάρις and δόξα) of the Father of Lights.

The highest good is self-communicative ( communicativum sui ). The God of salvation does not refuse any good thing to those who walk בּתמים (בּדרך תמים, Psa 101:6; cf. on Psa 15:2). Upon all receptive ones, i. e. , all those who are desirous and capable of receiving His blessings, He freely bestows them out of the abundance of His good things. Strophe and anti-strophe are doubled in this second half of the song.

The epode closely resembles that which follows the first half. And this closing ashrê is not followed by any Sela . The music is hushed. The song dies away with an iambic cadence into a waiting expectant stillness.

The second part of the Book of Isaiah is written for the Israel of the Exile. It was the incidents of the Exile that first unsealed this great and indivisible prophecy, which in its compass is without any parallel. And after it had been unsealed there sprang up out of it those numerous songs of the Psalm-collection which remind us of their common model, partly by their allegorizing figurative language, partly by their lofty prophetic thoughts of consolation.

This first Korahitic Jahve-Psalm (in Psa 85:13 coming into contact with Psa 84:1-12, cf. Psa 84:12)), which more particularly by its allegorizing figurative language points to Isa 40:1, belongs to the number of these so-called deutero-Isaianic Psalms. The reference of Psa 85:1-13 to the period after the Exile and to the restoration of the state, says Dursch, is clearly expressed in the Psalm.

On the other hand, Hengstenberg maintains that “the Psalm does not admit of any historical interpretation,” and is sure only of this one fact, that Psa 85:2-4 do not relate to the deliverance out of the Exile. Even this Psalm, however, is not a formulary belonging to no express period, but has a special historical basis; and Psa 85:2-4 certainly sound as though they came from the lips of a people restored to their fatherland.

Psa 85:1-3 The poet first of all looks back into the past, so rich in tokens of favour. The six perfects are a remembrance of former events, since nothing precedes to modify them. Certainly that which has just been experienced might also be intended; but then, as Hitzig supposes, Psa 85:5-8 would be the petition that preceded it, and Psa 85:9 would go back to the turning-point of the answering of the request - a retrograde movement which is less probable than that in shuwbeenuw, Psa 85:5, we have a transition to the petition for a renewal of previously manifested favour.

(שׁבית) שבּ שׁבוּת, here said of a cessation of a national judgment, seems to be meant literally, not figuratively (vid. , Psa 14:7). רצה, with the accusative, to have and to show pleasure in any one, as in the likewise Korahitic lamentation- Psa 44:4, cf. Psa 147:11. In Psa 85:3 sin is conceived of as a burden of the conscience; in Psa 85:3 as a blood-stain.

The music strikes up in the middle of the strophe in the sense of the “blessed” in Psa 32:1. In Psa 85:4 God’s עברה (i. e. , unrestrained wrath) appears as an emanation; He draws it back to Himself (אסף as in Joe 3:15, Psa 104:29; 1Sa 14:19) when He ceases to be angry; in Psa 85:4 , on the other hand, the fierce anger is conceived of as an active manifestation on the part of God which ceases when He turns round (השׁיב, Hiph .

as inwardly transitive as in Eze 14:6; Eze 39:25; cf. the Kal in Exo 32:12), i. e. , gives the opposite turn to His manifestation.

Psa 85:1-3 The poet first of all looks back into the past, so rich in tokens of favour. The six perfects are a remembrance of former events, since nothing precedes to modify them. Certainly that which has just been experienced might also be intended; but then, as Hitzig supposes, Psa 85:5-8 would be the petition that preceded it, and Psa 85:9 would go back to the turning-point of the answering of the request - a retrograde movement which is less probable than that in shuwbeenuw, Psa 85:5, we have a transition to the petition for a renewal of previously manifested favour.

(שׁבית) שבּ שׁבוּת, here said of a cessation of a national judgment, seems to be meant literally, not figuratively (vid. , Psa 14:7). רצה, with the accusative, to have and to show pleasure in any one, as in the likewise Korahitic lamentation- Psa 44:4, cf. Psa 147:11. In Psa 85:3 sin is conceived of as a burden of the conscience; in Psa 85:3 as a blood-stain.

The music strikes up in the middle of the strophe in the sense of the “blessed” in Psa 32:1. In Psa 85:4 God’s עברה (i. e. , unrestrained wrath) appears as an emanation; He draws it back to Himself (אסף as in Joe 3:15, Psa 104:29; 1Sa 14:19) when He ceases to be angry; in Psa 85:4 , on the other hand, the fierce anger is conceived of as an active manifestation on the part of God which ceases when He turns round (השׁיב, Hiph .

as inwardly transitive as in Eze 14:6; Eze 39:25; cf. the Kal in Exo 32:12), i. e. , gives the opposite turn to His manifestation.

Psa 85:4-7 The poet now prays God to manifest anew the loving-kindness He has shown formerly. In the sense of “restore us again,” שׁוּבנוּ does not form any bond of connection between this and the preceding strophe; but it does it, according to Ges. §121, 4, it is intended in the sense of (אלינוּ) שׁוּב לנוּ, turn again to us. The poet prays that God would manifest Himself anew to His people as He has done in former days.

Thus the transition from the retrospective perfects to the petition is, in the presence of the existing extremity, adequately brought about. Assuming the post-exilic origin of the Psalm, we see from this strophe that it was composed at a period in which the distance between the temporal and spiritual condition of Israel and the national restoration, promised together with the termination of the Exile, made itself distinctly felt.

On עמּנוּ (in relation to and bearing towards us) beside כּעסך, cf. Job 10:17, and also on הפר, Psa 89:34. In the question in Psa 89:6 reminding God of His love and of His promise, משׁך has the signification of constant endless continuing or pursuing, as in Psa 36:11. The expression in Psa 85:7 is like Psa 71:20, cf. Psa 80:19; שׁוּב is here the representative of rursus , Ges.

§142. ישׁעך from ישׁע, like קצפּך in Psa 38:2, has ĕ (cf. the inflexion of פּרי and חק) instead of the ı̆ in אלהי ישׁענוּ. Here at the close of the strophe the prayer turns back inferentially to this attribute of God.