Psalms 102

Psa 102:6-8 קאת (construct of קאת or קאת from קאה, vid. , Isaiah , at Isa 34:11-12), according to the lxx, is the pelican, and כּוס is the night-raven or the little horned-owl. דּמה obtains the signification to be like, equal ( aequalem esse ), from the radical signification to be flat, even, and to spread out flat (as the Dutch have already recognised). They are both unclean creatures, which are fond of the loneliness of the desert and ruined places.

To such a wilderness, that of the exile, is the poet unwillingly transported. He passes the nights without sleep (שׁקד, to watch during the time for sleep), and is therefore like a bird sitting lonesome (בּודד, Syriac erroneously נודד) upon the roof whilst all in the house beneath are sleeping. The Athnach in Psa 102:8 separates that which is come to be from the ground of the “becoming” and the “becoming” itself.

His grief is that his enemies reproach him as one forsaken of God. מהולל, part. Poal , is one made or become mad, Ecc 2:2 : my mad ones = those who are mad against me. These swear by him, inasmuch as they say when they want to curse: “God do unto thee as unto this man,” which is to be explained according to Isa 65:15; Jer 29:22.

Psa 102:6-8 קאת (construct of קאת or קאת from קאה, vid. , Isaiah , at Isa 34:11-12), according to the lxx, is the pelican, and כּוס is the night-raven or the little horned-owl. דּמה obtains the signification to be like, equal ( aequalem esse ), from the radical signification to be flat, even, and to spread out flat (as the Dutch have already recognised). They are both unclean creatures, which are fond of the loneliness of the desert and ruined places.

To such a wilderness, that of the exile, is the poet unwillingly transported. He passes the nights without sleep (שׁקד, to watch during the time for sleep), and is therefore like a bird sitting lonesome (בּודד, Syriac erroneously נודד) upon the roof whilst all in the house beneath are sleeping. The Athnach in Psa 102:8 separates that which is come to be from the ground of the “becoming” and the “becoming” itself.

His grief is that his enemies reproach him as one forsaken of God. מהולל, part. Poal , is one made or become mad, Ecc 2:2 : my mad ones = those who are mad against me. These swear by him, inasmuch as they say when they want to curse: “God do unto thee as unto this man,” which is to be explained according to Isa 65:15; Jer 29:22.

Psa 102:6-8 קאת (construct of קאת or קאת from קאה, vid. , Isaiah , at Isa 34:11-12), according to the lxx, is the pelican, and כּוס is the night-raven or the little horned-owl. דּמה obtains the signification to be like, equal ( aequalem esse ), from the radical signification to be flat, even, and to spread out flat (as the Dutch have already recognised). They are both unclean creatures, which are fond of the loneliness of the desert and ruined places.

To such a wilderness, that of the exile, is the poet unwillingly transported. He passes the nights without sleep (שׁקד, to watch during the time for sleep), and is therefore like a bird sitting lonesome (בּודד, Syriac erroneously נודד) upon the roof whilst all in the house beneath are sleeping. The Athnach in Psa 102:8 separates that which is come to be from the ground of the “becoming” and the “becoming” itself.

His grief is that his enemies reproach him as one forsaken of God. מהולל, part. Poal , is one made or become mad, Ecc 2:2 : my mad ones = those who are mad against me. These swear by him, inasmuch as they say when they want to curse: “God do unto thee as unto this man,” which is to be explained according to Isa 65:15; Jer 29:22.

Psa 102:9-11 Ashes are his bread (cf. Lam 3:16), inasmuch as he, a mourner, sits in ashes, and has thrown ashes all over himself, Job 2:8; Eze 27:30. The infected שׁקּוי has שׁקּוּ = שׁקּוּו for its principal form, instead of which it is שׁקּוּי in Hos 2:7. “That Thou hast lifted me up and cast me down” is to be understood according to Job 30:22. First of all God has taken away the firm ground from under his feet, then from aloft He has cast him to the ground - an emblem of the lot of Israel, which is removed from its fatherland and cast into exile, i.

e. , into a strange land. In that passage the days of his life are כּצל נטוּי, like a lengthened shadow, which grows longer and longer until it is entirely lost in darkness, Psa 109:23. Another figure follows: he there becomes like an (uprooted) plant which dries up.

Psa 102:9-11 Ashes are his bread (cf. Lam 3:16), inasmuch as he, a mourner, sits in ashes, and has thrown ashes all over himself, Job 2:8; Eze 27:30. The infected שׁקּוי has שׁקּוּ = שׁקּוּו for its principal form, instead of which it is שׁקּוּי in Hos 2:7. “That Thou hast lifted me up and cast me down” is to be understood according to Job 30:22. First of all God has taken away the firm ground from under his feet, then from aloft He has cast him to the ground - an emblem of the lot of Israel, which is removed from its fatherland and cast into exile, i.

e. , into a strange land. In that passage the days of his life are כּצל נטוּי, like a lengthened shadow, which grows longer and longer until it is entirely lost in darkness, Psa 109:23. Another figure follows: he there becomes like an (uprooted) plant which dries up.

Psa 102:9-11 Ashes are his bread (cf. Lam 3:16), inasmuch as he, a mourner, sits in ashes, and has thrown ashes all over himself, Job 2:8; Eze 27:30. The infected שׁקּוי has שׁקּוּ = שׁקּוּו for its principal form, instead of which it is שׁקּוּי in Hos 2:7. “That Thou hast lifted me up and cast me down” is to be understood according to Job 30:22. First of all God has taken away the firm ground from under his feet, then from aloft He has cast him to the ground - an emblem of the lot of Israel, which is removed from its fatherland and cast into exile, i.

e. , into a strange land. In that passage the days of his life are כּצל נטוּי, like a lengthened shadow, which grows longer and longer until it is entirely lost in darkness, Psa 109:23. Another figure follows: he there becomes like an (uprooted) plant which dries up.

Psa 102:12-14 When the church in its individual members dies off on a foreign soil, still its God, the unchangeable One, remains, and therein the promise has the guarantee of its fulfilment. Faith lays hold upon this guarantee as in Ps 90. It becomes clear from Psa 9:8 and Lam 5:19 how תּשׁב is to be understood. The Name which Jahve makes Himself by self-attestation never falls a prey to the dead past, it is His ever-living memorial (זכר, Exo 3:15).

Thus, too, will He restore Jerusalem; the limit, or appointed time, to which the promise points is, as his longing tells the poet, now come. מועד, according to Psa 75:3; Hab 2:3, is the juncture, when the redemption by means of the judgment on the enemies of Israel shall dawn. לחננהּ, from the infinitive חנן, has ĕ , flattened from ă , in an entirely closed syllable.

רצה seq. acc. signifies to have pleasure in anything, to cling to it with delight; and חנן, according to Pro 14:21, affirms a compassionate, tender love of the object. The servants of God do not feel at home in Babylon, but their loving yearning lingers over the ruins, the stones and the heaps of the rubbish (Neh 4:2), of Jerusalem.

Psa 102:12-14 When the church in its individual members dies off on a foreign soil, still its God, the unchangeable One, remains, and therein the promise has the guarantee of its fulfilment. Faith lays hold upon this guarantee as in Ps 90. It becomes clear from Psa 9:8 and Lam 5:19 how תּשׁב is to be understood. The Name which Jahve makes Himself by self-attestation never falls a prey to the dead past, it is His ever-living memorial (זכר, Exo 3:15).

Thus, too, will He restore Jerusalem; the limit, or appointed time, to which the promise points is, as his longing tells the poet, now come. מועד, according to Psa 75:3; Hab 2:3, is the juncture, when the redemption by means of the judgment on the enemies of Israel shall dawn. לחננהּ, from the infinitive חנן, has ĕ , flattened from ă , in an entirely closed syllable.

רצה seq. acc. signifies to have pleasure in anything, to cling to it with delight; and חנן, according to Pro 14:21, affirms a compassionate, tender love of the object. The servants of God do not feel at home in Babylon, but their loving yearning lingers over the ruins, the stones and the heaps of the rubbish (Neh 4:2), of Jerusalem.

Psa 102:12-14 When the church in its individual members dies off on a foreign soil, still its God, the unchangeable One, remains, and therein the promise has the guarantee of its fulfilment. Faith lays hold upon this guarantee as in Ps 90. It becomes clear from Psa 9:8 and Lam 5:19 how תּשׁב is to be understood. The Name which Jahve makes Himself by self-attestation never falls a prey to the dead past, it is His ever-living memorial (זכר, Exo 3:15).

Thus, too, will He restore Jerusalem; the limit, or appointed time, to which the promise points is, as his longing tells the poet, now come. מועד, according to Psa 75:3; Hab 2:3, is the juncture, when the redemption by means of the judgment on the enemies of Israel shall dawn. לחננהּ, from the infinitive חנן, has ĕ , flattened from ă , in an entirely closed syllable.

רצה seq. acc. signifies to have pleasure in anything, to cling to it with delight; and חנן, according to Pro 14:21, affirms a compassionate, tender love of the object. The servants of God do not feel at home in Babylon, but their loving yearning lingers over the ruins, the stones and the heaps of the rubbish (Neh 4:2), of Jerusalem.

Psa 102:15-17 With וייראוּ we are told what will take place when that which is expected in Psa 102:14 comes to pass, and at the same time the fulfilment of that which is longed for is thereby urged home upon God: Jahve’s own honour depends upon it, since the restoration of Jerusalem will become the means of the conversion of the world - a fundamental thought of Isa 40:1 (cf. more particularly Isa 59:19; Isa 60:2), which is also called to mind in the expression of this strophe.

This prophetic prospect (Isa 40:1-5) that the restoration of Jerusalem will take place simultaneously with the glorious parusia of Jahve re-echoes here in a lyric form. כּי, Psa 102:17, states the ground of the reverence, just as Psa 102:20 the ground of the praise. The people of the Exile are called in Psa 102:18 הערער, from ערר, to be naked: homeless, powerless, honourless, and in the eyes of men, prospectless.

The lxx renders this word in Jer 17:6 ἀγριομυρίκη, and its plural, formed by an internal change of vowel, ערוער, in Jer 48:6 ὄνος ἄγριος, which are only particularizations of the primary notion of that which is stark naked, neglected, wild. Psa 102:18 is an echo off Psa 22:25. In the mirror of this and of other Psalms written in times of affliction the Israel of the Exile saw itself reflected.

Psa 102:15-17 With וייראוּ we are told what will take place when that which is expected in Psa 102:14 comes to pass, and at the same time the fulfilment of that which is longed for is thereby urged home upon God: Jahve’s own honour depends upon it, since the restoration of Jerusalem will become the means of the conversion of the world - a fundamental thought of Isa 40:1 (cf. more particularly Isa 59:19; Isa 60:2), which is also called to mind in the expression of this strophe.

This prophetic prospect (Isa 40:1-5) that the restoration of Jerusalem will take place simultaneously with the glorious parusia of Jahve re-echoes here in a lyric form. כּי, Psa 102:17, states the ground of the reverence, just as Psa 102:20 the ground of the praise. The people of the Exile are called in Psa 102:18 הערער, from ערר, to be naked: homeless, powerless, honourless, and in the eyes of men, prospectless.

The lxx renders this word in Jer 17:6 ἀγριομυρίκη, and its plural, formed by an internal change of vowel, ערוער, in Jer 48:6 ὄνος ἄγριος, which are only particularizations of the primary notion of that which is stark naked, neglected, wild. Psa 102:18 is an echo off Psa 22:25. In the mirror of this and of other Psalms written in times of affliction the Israel of the Exile saw itself reflected.

Psa 102:15-17 With וייראוּ we are told what will take place when that which is expected in Psa 102:14 comes to pass, and at the same time the fulfilment of that which is longed for is thereby urged home upon God: Jahve’s own honour depends upon it, since the restoration of Jerusalem will become the means of the conversion of the world - a fundamental thought of Isa 40:1 (cf. more particularly Isa 59:19; Isa 60:2), which is also called to mind in the expression of this strophe.

This prophetic prospect (Isa 40:1-5) that the restoration of Jerusalem will take place simultaneously with the glorious parusia of Jahve re-echoes here in a lyric form. כּי, Psa 102:17, states the ground of the reverence, just as Psa 102:20 the ground of the praise. The people of the Exile are called in Psa 102:18 הערער, from ערר, to be naked: homeless, powerless, honourless, and in the eyes of men, prospectless.

The lxx renders this word in Jer 17:6 ἀγριομυρίκη, and its plural, formed by an internal change of vowel, ערוער, in Jer 48:6 ὄνος ἄγριος, which are only particularizations of the primary notion of that which is stark naked, neglected, wild. Psa 102:18 is an echo off Psa 22:25. In the mirror of this and of other Psalms written in times of affliction the Israel of the Exile saw itself reflected.

Psa 102:18-22 The poet goes on advancing motives to Jahve for the fulfilment of his desire, by holding up to Him what will take place when He shall have restored Zion. The evangel of God’s redemptive deed will be written down for succeeding generations, and a new, created people, i. e. , a people coming into existence, the church of the future, shall praise God the Redeemer for it.

דּור אחרון as in Psa 48:14; Psa 78:4. עם נברא like עם נולד Ps 22:32, perhaps with reference to deutero-Isaianic passages like Isa 43:17. On Psa 102:20, cf. Isa 63:15; in Psa 102:21 (cf. Isa 42:7; Isa 61:1) the deutero-Isaianic colouring is very evident. And Psa 102:21 rests still more verbally upon Psa 79:11. The people of the Exile are as it were in prison and chains (אסיר), and are advancing towards their destruction (בּני תמוּתה), if God does not interpose.

Those who have returned home are the subject to לספּר. בּ in Psa 102:23 introduces that which takes place simultaneously: with the release of Israel from servitude is united the conversion of the world. נקבּץ occurs in the same connection as in Isa 60:4. After having thus revelled in the glory of the time of redemption the poet comes back to himself and gives form to his prayer on his own behalf.

Psa 102:18-22 The poet goes on advancing motives to Jahve for the fulfilment of his desire, by holding up to Him what will take place when He shall have restored Zion. The evangel of God’s redemptive deed will be written down for succeeding generations, and a new, created people, i. e. , a people coming into existence, the church of the future, shall praise God the Redeemer for it.

דּור אחרון as in Psa 48:14; Psa 78:4. עם נברא like עם נולד Ps 22:32, perhaps with reference to deutero-Isaianic passages like Isa 43:17. On Psa 102:20, cf. Isa 63:15; in Psa 102:21 (cf. Isa 42:7; Isa 61:1) the deutero-Isaianic colouring is very evident. And Psa 102:21 rests still more verbally upon Psa 79:11. The people of the Exile are as it were in prison and chains (אסיר), and are advancing towards their destruction (בּני תמוּתה), if God does not interpose.

Those who have returned home are the subject to לספּר. בּ in Psa 102:23 introduces that which takes place simultaneously: with the release of Israel from servitude is united the conversion of the world. נקבּץ occurs in the same connection as in Isa 60:4. After having thus revelled in the glory of the time of redemption the poet comes back to himself and gives form to his prayer on his own behalf.

Psa 102:18-22 The poet goes on advancing motives to Jahve for the fulfilment of his desire, by holding up to Him what will take place when He shall have restored Zion. The evangel of God’s redemptive deed will be written down for succeeding generations, and a new, created people, i. e. , a people coming into existence, the church of the future, shall praise God the Redeemer for it.

דּור אחרון as in Psa 48:14; Psa 78:4. עם נברא like עם נולד Ps 22:32, perhaps with reference to deutero-Isaianic passages like Isa 43:17. On Psa 102:20, cf. Isa 63:15; in Psa 102:21 (cf. Isa 42:7; Isa 61:1) the deutero-Isaianic colouring is very evident. And Psa 102:21 rests still more verbally upon Psa 79:11. The people of the Exile are as it were in prison and chains (אסיר), and are advancing towards their destruction (בּני תמוּתה), if God does not interpose.

Those who have returned home are the subject to לספּר. בּ in Psa 102:23 introduces that which takes place simultaneously: with the release of Israel from servitude is united the conversion of the world. נקבּץ occurs in the same connection as in Isa 60:4. After having thus revelled in the glory of the time of redemption the poet comes back to himself and gives form to his prayer on his own behalf.

Psa 102:18-22 The poet goes on advancing motives to Jahve for the fulfilment of his desire, by holding up to Him what will take place when He shall have restored Zion. The evangel of God’s redemptive deed will be written down for succeeding generations, and a new, created people, i. e. , a people coming into existence, the church of the future, shall praise God the Redeemer for it.

דּור אחרון as in Psa 48:14; Psa 78:4. עם נברא like עם נולד Ps 22:32, perhaps with reference to deutero-Isaianic passages like Isa 43:17. On Psa 102:20, cf. Isa 63:15; in Psa 102:21 (cf. Isa 42:7; Isa 61:1) the deutero-Isaianic colouring is very evident. And Psa 102:21 rests still more verbally upon Psa 79:11. The people of the Exile are as it were in prison and chains (אסיר), and are advancing towards their destruction (בּני תמוּתה), if God does not interpose.

Those who have returned home are the subject to לספּר. בּ in Psa 102:23 introduces that which takes place simultaneously: with the release of Israel from servitude is united the conversion of the world. נקבּץ occurs in the same connection as in Isa 60:4. After having thus revelled in the glory of the time of redemption the poet comes back to himself and gives form to his prayer on his own behalf.

Psa 102:18-22 The poet goes on advancing motives to Jahve for the fulfilment of his desire, by holding up to Him what will take place when He shall have restored Zion. The evangel of God’s redemptive deed will be written down for succeeding generations, and a new, created people, i. e. , a people coming into existence, the church of the future, shall praise God the Redeemer for it.

דּור אחרון as in Psa 48:14; Psa 78:4. עם נברא like עם נולד Ps 22:32, perhaps with reference to deutero-Isaianic passages like Isa 43:17. On Psa 102:20, cf. Isa 63:15; in Psa 102:21 (cf. Isa 42:7; Isa 61:1) the deutero-Isaianic colouring is very evident. And Psa 102:21 rests still more verbally upon Psa 79:11. The people of the Exile are as it were in prison and chains (אסיר), and are advancing towards their destruction (בּני תמוּתה), if God does not interpose.

Those who have returned home are the subject to לספּר. בּ in Psa 102:23 introduces that which takes place simultaneously: with the release of Israel from servitude is united the conversion of the world. נקבּץ occurs in the same connection as in Isa 60:4. After having thus revelled in the glory of the time of redemption the poet comes back to himself and gives form to his prayer on his own behalf.

Psa 102:23-28 On the way (ב as in Psa 110:7) - not “by means of the way” (ב as in Psa 105:18), in connection with which one would expect of find some attributive minuter definition of the way - God hath bowed down his strength (cf. Deu 8:2); it was therefore a troublous, toilsome way which he has been led, together with his people. He has shortened his days, so that he only drags on wearily, and has only a short distance still before him before he is entirely overcome.

The Chethîb כחו (lxx ἰσχύος αὐτοῦ) may be understood of God’s irresistible might, as in Job 23:6; Job 30:18, but in connection with it the designation of the object is felt to be wanting. The introductory אמר (cf. Job 10:2), which announces a definite moulding of the utterance, serves to give prominence to the petition that follows. In the expression אל־תּעלני life is conceived of as a line the length of which accords with nature; to die before one’s time is a being taken up out of this course, so that the second half of the line is not lived through (Ps 55:24, Isa 38:10).

The prayer not to sweep him away before his time, the poet supports not by the eternity of God in itself, but by the work of the rejuvenation of the world and of the restoration of Israel that is to be looked for, which He can and will bring to an accomplishment, because He is the ever-living One. The longing to see this new time is the final ground of the poet’s prayer for the prolonging of his life.

The confession of God the Creator in Psa 102:26 reminds one in its form of Isa 48:13, cf. Psa 44:24. המּה in Psa 102:27 refers to the two great divisions of the universe. The fact that God will create heaven and earth anew is a revelation that is indicated even in Isa 34:4, but is first of all expressed more fully and in many ways in the second part of the Book of Isaiah, viz.

, Isa 51:6, Isa 51:16; Isa 65:17; Isa 66:22. It is clear from the agreement in the figure of the garment (Isa 51:6, cf. Psa 50:9) and in the expression (עמד, perstare , as in Isa 66:22) that the poet has gained this knowledge from the prophet. The expressive אתּה הוּא, Thou art He, i. e. , unalterably the same One, is also taken from the mouth of the prophet, Isa 41:4; Isa 43:10; Isa 46:4; Isa 48:12; הוּא is a predicate, and denotes the identity (sameness) of Jahve (Hofmann, Schriftbeweis , i.

63). In v. 29 also, in which the prayer for a lengthening of life tapers off to a point, we hear Isa 65:2; Isa 66:22 re-echoed. And from the fact that in the mind of the poet as of the prophet the post-exilic Jerusalem and the final new Jerusalem upon the new earth under a new heaven blend together, it is evident that not merely in the time of Hezekiah or of Manasseh (assuming that Isa 40:1 are by the old Isaiah), but also even in the second half of the Exile, such a perspectively foreshortened view was possible.

When, moreover, the writer of the Epistle to the Hebrews at once refers Psa 102:26-28 to Christ, this is justified by the fact that the God whom the poet confesses as the unchangeable One is Jahve who is to come.

Psa 102:23-28 On the way (ב as in Psa 110:7) - not “by means of the way” (ב as in Psa 105:18), in connection with which one would expect of find some attributive minuter definition of the way - God hath bowed down his strength (cf. Deu 8:2); it was therefore a troublous, toilsome way which he has been led, together with his people. He has shortened his days, so that he only drags on wearily, and has only a short distance still before him before he is entirely overcome.

The Chethîb כחו (lxx ἰσχύος αὐτοῦ) may be understood of God’s irresistible might, as in Job 23:6; Job 30:18, but in connection with it the designation of the object is felt to be wanting. The introductory אמר (cf. Job 10:2), which announces a definite moulding of the utterance, serves to give prominence to the petition that follows. In the expression אל־תּעלני life is conceived of as a line the length of which accords with nature; to die before one’s time is a being taken up out of this course, so that the second half of the line is not lived through (Ps 55:24, Isa 38:10).

The prayer not to sweep him away before his time, the poet supports not by the eternity of God in itself, but by the work of the rejuvenation of the world and of the restoration of Israel that is to be looked for, which He can and will bring to an accomplishment, because He is the ever-living One. The longing to see this new time is the final ground of the poet’s prayer for the prolonging of his life.

The confession of God the Creator in Psa 102:26 reminds one in its form of Isa 48:13, cf. Psa 44:24. המּה in Psa 102:27 refers to the two great divisions of the universe. The fact that God will create heaven and earth anew is a revelation that is indicated even in Isa 34:4, but is first of all expressed more fully and in many ways in the second part of the Book of Isaiah, viz.

, Isa 51:6, Isa 51:16; Isa 65:17; Isa 66:22. It is clear from the agreement in the figure of the garment (Isa 51:6, cf. Psa 50:9) and in the expression (עמד, perstare , as in Isa 66:22) that the poet has gained this knowledge from the prophet. The expressive אתּה הוּא, Thou art He, i. e. , unalterably the same One, is also taken from the mouth of the prophet, Isa 41:4; Isa 43:10; Isa 46:4; Isa 48:12; הוּא is a predicate, and denotes the identity (sameness) of Jahve (Hofmann, Schriftbeweis , i.

63). In v. 29 also, in which the prayer for a lengthening of life tapers off to a point, we hear Isa 65:2; Isa 66:22 re-echoed. And from the fact that in the mind of the poet as of the prophet the post-exilic Jerusalem and the final new Jerusalem upon the new earth under a new heaven blend together, it is evident that not merely in the time of Hezekiah or of Manasseh (assuming that Isa 40:1 are by the old Isaiah), but also even in the second half of the Exile, such a perspectively foreshortened view was possible.

When, moreover, the writer of the Epistle to the Hebrews at once refers Psa 102:26-28 to Christ, this is justified by the fact that the God whom the poet confesses as the unchangeable One is Jahve who is to come.

Psa 102:23-28 On the way (ב as in Psa 110:7) - not “by means of the way” (ב as in Psa 105:18), in connection with which one would expect of find some attributive minuter definition of the way - God hath bowed down his strength (cf. Deu 8:2); it was therefore a troublous, toilsome way which he has been led, together with his people. He has shortened his days, so that he only drags on wearily, and has only a short distance still before him before he is entirely overcome.

The Chethîb כחו (lxx ἰσχύος αὐτοῦ) may be understood of God’s irresistible might, as in Job 23:6; Job 30:18, but in connection with it the designation of the object is felt to be wanting. The introductory אמר (cf. Job 10:2), which announces a definite moulding of the utterance, serves to give prominence to the petition that follows. In the expression אל־תּעלני life is conceived of as a line the length of which accords with nature; to die before one’s time is a being taken up out of this course, so that the second half of the line is not lived through (Ps 55:24, Isa 38:10).

The prayer not to sweep him away before his time, the poet supports not by the eternity of God in itself, but by the work of the rejuvenation of the world and of the restoration of Israel that is to be looked for, which He can and will bring to an accomplishment, because He is the ever-living One. The longing to see this new time is the final ground of the poet’s prayer for the prolonging of his life.

The confession of God the Creator in Psa 102:26 reminds one in its form of Isa 48:13, cf. Psa 44:24. המּה in Psa 102:27 refers to the two great divisions of the universe. The fact that God will create heaven and earth anew is a revelation that is indicated even in Isa 34:4, but is first of all expressed more fully and in many ways in the second part of the Book of Isaiah, viz.

, Isa 51:6, Isa 51:16; Isa 65:17; Isa 66:22. It is clear from the agreement in the figure of the garment (Isa 51:6, cf. Psa 50:9) and in the expression (עמד, perstare , as in Isa 66:22) that the poet has gained this knowledge from the prophet. The expressive אתּה הוּא, Thou art He, i. e. , unalterably the same One, is also taken from the mouth of the prophet, Isa 41:4; Isa 43:10; Isa 46:4; Isa 48:12; הוּא is a predicate, and denotes the identity (sameness) of Jahve (Hofmann, Schriftbeweis , i.

63). In v. 29 also, in which the prayer for a lengthening of life tapers off to a point, we hear Isa 65:2; Isa 66:22 re-echoed. And from the fact that in the mind of the poet as of the prophet the post-exilic Jerusalem and the final new Jerusalem upon the new earth under a new heaven blend together, it is evident that not merely in the time of Hezekiah or of Manasseh (assuming that Isa 40:1 are by the old Isaiah), but also even in the second half of the Exile, such a perspectively foreshortened view was possible.

When, moreover, the writer of the Epistle to the Hebrews at once refers Psa 102:26-28 to Christ, this is justified by the fact that the God whom the poet confesses as the unchangeable One is Jahve who is to come.

Psa 102:23-28 On the way (ב as in Psa 110:7) - not “by means of the way” (ב as in Psa 105:18), in connection with which one would expect of find some attributive minuter definition of the way - God hath bowed down his strength (cf. Deu 8:2); it was therefore a troublous, toilsome way which he has been led, together with his people. He has shortened his days, so that he only drags on wearily, and has only a short distance still before him before he is entirely overcome.

The Chethîb כחו (lxx ἰσχύος αὐτοῦ) may be understood of God’s irresistible might, as in Job 23:6; Job 30:18, but in connection with it the designation of the object is felt to be wanting. The introductory אמר (cf. Job 10:2), which announces a definite moulding of the utterance, serves to give prominence to the petition that follows. In the expression אל־תּעלני life is conceived of as a line the length of which accords with nature; to die before one’s time is a being taken up out of this course, so that the second half of the line is not lived through (Ps 55:24, Isa 38:10).

The prayer not to sweep him away before his time, the poet supports not by the eternity of God in itself, but by the work of the rejuvenation of the world and of the restoration of Israel that is to be looked for, which He can and will bring to an accomplishment, because He is the ever-living One. The longing to see this new time is the final ground of the poet’s prayer for the prolonging of his life.

The confession of God the Creator in Psa 102:26 reminds one in its form of Isa 48:13, cf. Psa 44:24. המּה in Psa 102:27 refers to the two great divisions of the universe. The fact that God will create heaven and earth anew is a revelation that is indicated even in Isa 34:4, but is first of all expressed more fully and in many ways in the second part of the Book of Isaiah, viz.

, Isa 51:6, Isa 51:16; Isa 65:17; Isa 66:22. It is clear from the agreement in the figure of the garment (Isa 51:6, cf. Psa 50:9) and in the expression (עמד, perstare , as in Isa 66:22) that the poet has gained this knowledge from the prophet. The expressive אתּה הוּא, Thou art He, i. e. , unalterably the same One, is also taken from the mouth of the prophet, Isa 41:4; Isa 43:10; Isa 46:4; Isa 48:12; הוּא is a predicate, and denotes the identity (sameness) of Jahve (Hofmann, Schriftbeweis , i.

63). In v. 29 also, in which the prayer for a lengthening of life tapers off to a point, we hear Isa 65:2; Isa 66:22 re-echoed. And from the fact that in the mind of the poet as of the prophet the post-exilic Jerusalem and the final new Jerusalem upon the new earth under a new heaven blend together, it is evident that not merely in the time of Hezekiah or of Manasseh (assuming that Isa 40:1 are by the old Isaiah), but also even in the second half of the Exile, such a perspectively foreshortened view was possible.

When, moreover, the writer of the Epistle to the Hebrews at once refers Psa 102:26-28 to Christ, this is justified by the fact that the God whom the poet confesses as the unchangeable One is Jahve who is to come.

Psa 102:23-28 On the way (ב as in Psa 110:7) - not “by means of the way” (ב as in Psa 105:18), in connection with which one would expect of find some attributive minuter definition of the way - God hath bowed down his strength (cf. Deu 8:2); it was therefore a troublous, toilsome way which he has been led, together with his people. He has shortened his days, so that he only drags on wearily, and has only a short distance still before him before he is entirely overcome.

The Chethîb כחו (lxx ἰσχύος αὐτοῦ) may be understood of God’s irresistible might, as in Job 23:6; Job 30:18, but in connection with it the designation of the object is felt to be wanting. The introductory אמר (cf. Job 10:2), which announces a definite moulding of the utterance, serves to give prominence to the petition that follows. In the expression אל־תּעלני life is conceived of as a line the length of which accords with nature; to die before one’s time is a being taken up out of this course, so that the second half of the line is not lived through (Ps 55:24, Isa 38:10).

The prayer not to sweep him away before his time, the poet supports not by the eternity of God in itself, but by the work of the rejuvenation of the world and of the restoration of Israel that is to be looked for, which He can and will bring to an accomplishment, because He is the ever-living One. The longing to see this new time is the final ground of the poet’s prayer for the prolonging of his life.

The confession of God the Creator in Psa 102:26 reminds one in its form of Isa 48:13, cf. Psa 44:24. המּה in Psa 102:27 refers to the two great divisions of the universe. The fact that God will create heaven and earth anew is a revelation that is indicated even in Isa 34:4, but is first of all expressed more fully and in many ways in the second part of the Book of Isaiah, viz.

, Isa 51:6, Isa 51:16; Isa 65:17; Isa 66:22. It is clear from the agreement in the figure of the garment (Isa 51:6, cf. Psa 50:9) and in the expression (עמד, perstare , as in Isa 66:22) that the poet has gained this knowledge from the prophet. The expressive אתּה הוּא, Thou art He, i. e. , unalterably the same One, is also taken from the mouth of the prophet, Isa 41:4; Isa 43:10; Isa 46:4; Isa 48:12; הוּא is a predicate, and denotes the identity (sameness) of Jahve (Hofmann, Schriftbeweis , i.

63). In v. 29 also, in which the prayer for a lengthening of life tapers off to a point, we hear Isa 65:2; Isa 66:22 re-echoed. And from the fact that in the mind of the poet as of the prophet the post-exilic Jerusalem and the final new Jerusalem upon the new earth under a new heaven blend together, it is evident that not merely in the time of Hezekiah or of Manasseh (assuming that Isa 40:1 are by the old Isaiah), but also even in the second half of the Exile, such a perspectively foreshortened view was possible.

When, moreover, the writer of the Epistle to the Hebrews at once refers Psa 102:26-28 to Christ, this is justified by the fact that the God whom the poet confesses as the unchangeable One is Jahve who is to come.

Psa 102:23-28 On the way (ב as in Psa 110:7) - not “by means of the way” (ב as in Psa 105:18), in connection with which one would expect of find some attributive minuter definition of the way - God hath bowed down his strength (cf. Deu 8:2); it was therefore a troublous, toilsome way which he has been led, together with his people. He has shortened his days, so that he only drags on wearily, and has only a short distance still before him before he is entirely overcome.

The Chethîb כחו (lxx ἰσχύος αὐτοῦ) may be understood of God’s irresistible might, as in Job 23:6; Job 30:18, but in connection with it the designation of the object is felt to be wanting. The introductory אמר (cf. Job 10:2), which announces a definite moulding of the utterance, serves to give prominence to the petition that follows. In the expression אל־תּעלני life is conceived of as a line the length of which accords with nature; to die before one’s time is a being taken up out of this course, so that the second half of the line is not lived through (Ps 55:24, Isa 38:10).

The prayer not to sweep him away before his time, the poet supports not by the eternity of God in itself, but by the work of the rejuvenation of the world and of the restoration of Israel that is to be looked for, which He can and will bring to an accomplishment, because He is the ever-living One. The longing to see this new time is the final ground of the poet’s prayer for the prolonging of his life.

The confession of God the Creator in Psa 102:26 reminds one in its form of Isa 48:13, cf. Psa 44:24. המּה in Psa 102:27 refers to the two great divisions of the universe. The fact that God will create heaven and earth anew is a revelation that is indicated even in Isa 34:4, but is first of all expressed more fully and in many ways in the second part of the Book of Isaiah, viz.

, Isa 51:6, Isa 51:16; Isa 65:17; Isa 66:22. It is clear from the agreement in the figure of the garment (Isa 51:6, cf. Psa 50:9) and in the expression (עמד, perstare , as in Isa 66:22) that the poet has gained this knowledge from the prophet. The expressive אתּה הוּא, Thou art He, i. e. , unalterably the same One, is also taken from the mouth of the prophet, Isa 41:4; Isa 43:10; Isa 46:4; Isa 48:12; הוּא is a predicate, and denotes the identity (sameness) of Jahve (Hofmann, Schriftbeweis , i.

63). In v. 29 also, in which the prayer for a lengthening of life tapers off to a point, we hear Isa 65:2; Isa 66:22 re-echoed. And from the fact that in the mind of the poet as of the prophet the post-exilic Jerusalem and the final new Jerusalem upon the new earth under a new heaven blend together, it is evident that not merely in the time of Hezekiah or of Manasseh (assuming that Isa 40:1 are by the old Isaiah), but also even in the second half of the Exile, such a perspectively foreshortened view was possible.

When, moreover, the writer of the Epistle to the Hebrews at once refers Psa 102:26-28 to Christ, this is justified by the fact that the God whom the poet confesses as the unchangeable One is Jahve who is to come.

To the “Thou wilt have compassion upon Zion” of Psa 102:14 is appended Psalms 103, which has this as its substance throughout; but in other respects the two Psalms stand in contrast to one another. The inscription לדוד is also found thus by itself without any further addition even before Psalms of the First Book (Psa 26:1, Ps 35, Ps 37). It undoubtedly does not rest merely on conjecture, but upon tradition.

For no internal grounds which might have given rise to the annotation לדוד can be traced. The form of the language does not favour it. This pensive song, so powerful in its tone, has an Aramaic colouring like Ps 116; Psa 124:1-8; Psa 129:1-8. In the heaping up of Aramaizing suffix-forms it has its equal only in the story of Elisha, 2Ki 4:1-7, where, moreover, the Kerî throughout substitutes the usual forms, whilst here, where these suffix-forms are intentional ornaments of the expression, the Chethîb rightly remains unaltered.

The forms are 2nd sing. fem. ēchi for ēch , and 2nd sing. plur. ājchi for ajich . The i without the tone which is added here is just the one with which originally the pronunciation was אתּי instead of אתּ and לכי for לך. Out of the Psalter (here and Psa 116:7, Psa 116:19) these suffix-forms echi and ajchi occur only in Jer 11:15, and in the North-Palestinian history of the prophet in the Book of Kings.

The groups or strophes into which the Psalm falls are Psa 103:1, Psa 103:6, Psa 103:11, Psa 103:15, Psa 103:19. If we count their lines we obtain the schema 10. 10. 8. 8. 10. The coptic version accordingly reckons 46 CTYXOC , i. e. , στίχοι.

Psa 103:1-5 In the strophe Psa 103:1 the poet calls upon his soul to arise to praiseful gratitude for God’s justifying, redeeming, and renewing grace. In such soliloquies it is the Ego that speaks, gathering itself up with the spirit, the stronger, more manly part of man ( Psychology , S. 104f. ; tr. p. 126), or even, because the soul as the spiritual medium of the spirit and of the body represents the whole person of man ( Psychology , S.

203; tr. p. 240), the Ego rendering objective in the soul the whole of its own personality. So here in Psa 103:3 the soul, which is addressed, represents the whole man. The קובים which occurs here is a more choice expression for מעים (מעים): the heart, which is called קרב κατ ̓ ἐξοχήν, the reins, the liver, etc. ; for according to the scriptural conception ( Psychology , S.

266; tr. p. 313) these organs of the cavities of the breast and abdomen serve not merely for the bodily life, but also the psycho-spiritual life. The summoning בּרכי is repeated per anaphoram . There is nothing the soul of man is so prone to forget as to render thanks that are due, and more especially thanks that are due to God. It therefore needs to be expressly aroused in order that it may not leave the blessing with which God blesses it unacknowledged, and may not forget all His acts performed (גּמל = גּמר) on it (גּמוּל, ῥῆμα μέσον, e.

g. , in Psa 137:8), which are purely deeds of loving-kindness), which is the primal condition and the foundation of all the others, viz. , sin-pardoning mercy. The verbs סלח and רפא with a dative of the object denote the bestowment of that which is expressed by the verbal notion. תּחלוּאים (taken from Deu 29:21, cf. 1Ch 21:19, from חלא = חלה, root הל, solutum, laxum esse ) are not merely bodily diseases, but all kinds of inward and outward sufferings.

משּׁחת the lxx renders ἐκ φθορᾶς (from שׁחת, as in Job 17:14); but in this antithesis to life it is more natural to render the “pit” (from שׁוּח) as a name of Hades, as in Psa 16:10. Just as the soul owes its deliverance from guilt and distress and death to God, so also does it owe to God that with which it is endowed out of the riches of divine love. The verb עטּר, without any such addition as in Ps 5:13, is “to crown,” cf.

Psa 8:6. As is usually the case, it is construed with a double accusative; the crown is as it were woven out of loving-kindness and compassion. The Beth of בּטּוב in Psa 103:5 instead of the accusative (Psa 104:28) denotes the means of satisfaction, which is at the same time that which satisfies. עדיך the Targum renders: dies senectutis tuae , whereas in Psa 32:9 it is ornatus ejus ; the Peshîto renders: corpus tuum , and in Psa 32:9 inversely, juventus eorum .

These significations, “old age” or “youth,” are pure inventions. And since the words are addressed to the soul, עדי cannot also, like כבוד in other instances, be a name of the soul itself (Aben-Ezra, Mendelssohn, Philippsohn, Hengstenberg, and others). We, therefore, with Hitzig, fall back upon the sense of the word in Psa 32:9, where the lxx renders τάς σιαγόνας αὐτῶν, but here more freely, apparently starting from the primary notion of עדי = Arabic chadd , the cheek: τὸν ἐμπιπλῶντα ἐν ἀγαθοῖς τὴν ἐπιθυμίαν σου (whereas Saadia’s victum tuum is based upon a comparison of the Arabic gdâ , to nourish).

The poet tells the soul (i. e. , his own person, himself) that God satisfies it with good, so that it as it were gets its cheeks full of it (cf. Psa 81:11). The comparison כּנּשׁר is, as in Mic 1:16 (cf. Isa 40:31), to be referred to the annual moulting of the eagle. Its renewing of its plumage is an emblem of the renovation of his youth by grace. The predicate to נעוּריכי (plural of extension in relation to time) stands first regularly in the sing.

fem .

Psa 103:1-5 In the strophe Psa 103:1 the poet calls upon his soul to arise to praiseful gratitude for God’s justifying, redeeming, and renewing grace. In such soliloquies it is the Ego that speaks, gathering itself up with the spirit, the stronger, more manly part of man ( Psychology , S. 104f. ; tr. p. 126), or even, because the soul as the spiritual medium of the spirit and of the body represents the whole person of man ( Psychology , S.

203; tr. p. 240), the Ego rendering objective in the soul the whole of its own personality. So here in Psa 103:3 the soul, which is addressed, represents the whole man. The קובים which occurs here is a more choice expression for מעים (מעים): the heart, which is called קרב κατ ̓ ἐξοχήν, the reins, the liver, etc. ; for according to the scriptural conception ( Psychology , S.

266; tr. p. 313) these organs of the cavities of the breast and abdomen serve not merely for the bodily life, but also the psycho-spiritual life. The summoning בּרכי is repeated per anaphoram . There is nothing the soul of man is so prone to forget as to render thanks that are due, and more especially thanks that are due to God. It therefore needs to be expressly aroused in order that it may not leave the blessing with which God blesses it unacknowledged, and may not forget all His acts performed (גּמל = גּמר) on it (גּמוּל, ῥῆμα μέσον, e.

g. , in Psa 137:8), which are purely deeds of loving-kindness), which is the primal condition and the foundation of all the others, viz. , sin-pardoning mercy. The verbs סלח and רפא with a dative of the object denote the bestowment of that which is expressed by the verbal notion. תּחלוּאים (taken from Deu 29:21, cf. 1Ch 21:19, from חלא = חלה, root הל, solutum, laxum esse ) are not merely bodily diseases, but all kinds of inward and outward sufferings.

משּׁחת the lxx renders ἐκ φθορᾶς (from שׁחת, as in Job 17:14); but in this antithesis to life it is more natural to render the “pit” (from שׁוּח) as a name of Hades, as in Psa 16:10. Just as the soul owes its deliverance from guilt and distress and death to God, so also does it owe to God that with which it is endowed out of the riches of divine love. The verb עטּר, without any such addition as in Ps 5:13, is “to crown,” cf.

Psa 8:6. As is usually the case, it is construed with a double accusative; the crown is as it were woven out of loving-kindness and compassion. The Beth of בּטּוב in Psa 103:5 instead of the accusative (Psa 104:28) denotes the means of satisfaction, which is at the same time that which satisfies. עדיך the Targum renders: dies senectutis tuae , whereas in Psa 32:9 it is ornatus ejus ; the Peshîto renders: corpus tuum , and in Psa 32:9 inversely, juventus eorum .

These significations, “old age” or “youth,” are pure inventions. And since the words are addressed to the soul, עדי cannot also, like כבוד in other instances, be a name of the soul itself (Aben-Ezra, Mendelssohn, Philippsohn, Hengstenberg, and others). We, therefore, with Hitzig, fall back upon the sense of the word in Psa 32:9, where the lxx renders τάς σιαγόνας αὐτῶν, but here more freely, apparently starting from the primary notion of עדי = Arabic chadd , the cheek: τὸν ἐμπιπλῶντα ἐν ἀγαθοῖς τὴν ἐπιθυμίαν σου (whereas Saadia’s victum tuum is based upon a comparison of the Arabic gdâ , to nourish).

The poet tells the soul (i. e. , his own person, himself) that God satisfies it with good, so that it as it were gets its cheeks full of it (cf. Psa 81:11). The comparison כּנּשׁר is, as in Mic 1:16 (cf. Isa 40:31), to be referred to the annual moulting of the eagle. Its renewing of its plumage is an emblem of the renovation of his youth by grace. The predicate to נעוּריכי (plural of extension in relation to time) stands first regularly in the sing.

fem .

Psa 103:1-5 In the strophe Psa 103:1 the poet calls upon his soul to arise to praiseful gratitude for God’s justifying, redeeming, and renewing grace. In such soliloquies it is the Ego that speaks, gathering itself up with the spirit, the stronger, more manly part of man ( Psychology , S. 104f. ; tr. p. 126), or even, because the soul as the spiritual medium of the spirit and of the body represents the whole person of man ( Psychology , S.

203; tr. p. 240), the Ego rendering objective in the soul the whole of its own personality. So here in Psa 103:3 the soul, which is addressed, represents the whole man. The קובים which occurs here is a more choice expression for מעים (מעים): the heart, which is called קרב κατ ̓ ἐξοχήν, the reins, the liver, etc. ; for according to the scriptural conception ( Psychology , S.

266; tr. p. 313) these organs of the cavities of the breast and abdomen serve not merely for the bodily life, but also the psycho-spiritual life. The summoning בּרכי is repeated per anaphoram . There is nothing the soul of man is so prone to forget as to render thanks that are due, and more especially thanks that are due to God. It therefore needs to be expressly aroused in order that it may not leave the blessing with which God blesses it unacknowledged, and may not forget all His acts performed (גּמל = גּמר) on it (גּמוּל, ῥῆμα μέσον, e.

g. , in Psa 137:8), which are purely deeds of loving-kindness), which is the primal condition and the foundation of all the others, viz. , sin-pardoning mercy. The verbs סלח and רפא with a dative of the object denote the bestowment of that which is expressed by the verbal notion. תּחלוּאים (taken from Deu 29:21, cf. 1Ch 21:19, from חלא = חלה, root הל, solutum, laxum esse ) are not merely bodily diseases, but all kinds of inward and outward sufferings.

משּׁחת the lxx renders ἐκ φθορᾶς (from שׁחת, as in Job 17:14); but in this antithesis to life it is more natural to render the “pit” (from שׁוּח) as a name of Hades, as in Psa 16:10. Just as the soul owes its deliverance from guilt and distress and death to God, so also does it owe to God that with which it is endowed out of the riches of divine love. The verb עטּר, without any such addition as in Ps 5:13, is “to crown,” cf.

Psa 8:6. As is usually the case, it is construed with a double accusative; the crown is as it were woven out of loving-kindness and compassion. The Beth of בּטּוב in Psa 103:5 instead of the accusative (Psa 104:28) denotes the means of satisfaction, which is at the same time that which satisfies. עדיך the Targum renders: dies senectutis tuae , whereas in Psa 32:9 it is ornatus ejus ; the Peshîto renders: corpus tuum , and in Psa 32:9 inversely, juventus eorum .

These significations, “old age” or “youth,” are pure inventions. And since the words are addressed to the soul, עדי cannot also, like כבוד in other instances, be a name of the soul itself (Aben-Ezra, Mendelssohn, Philippsohn, Hengstenberg, and others). We, therefore, with Hitzig, fall back upon the sense of the word in Psa 32:9, where the lxx renders τάς σιαγόνας αὐτῶν, but here more freely, apparently starting from the primary notion of עדי = Arabic chadd , the cheek: τὸν ἐμπιπλῶντα ἐν ἀγαθοῖς τὴν ἐπιθυμίαν σου (whereas Saadia’s victum tuum is based upon a comparison of the Arabic gdâ , to nourish).

The poet tells the soul (i. e. , his own person, himself) that God satisfies it with good, so that it as it were gets its cheeks full of it (cf. Psa 81:11). The comparison כּנּשׁר is, as in Mic 1:16 (cf. Isa 40:31), to be referred to the annual moulting of the eagle. Its renewing of its plumage is an emblem of the renovation of his youth by grace. The predicate to נעוּריכי (plural of extension in relation to time) stands first regularly in the sing.

fem .